Flute
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Elizabethan Suite, An
Composer: Various Arranger: Morgan, Paul
Instrumentation: Quartet Instruments: Flute3 Flts and Alto Flt: Stephen Thomas, his Almain; Bateman's Ayre: Water, His Love; Durance Masque; The Nobleman, his Almain; Morgan's Ayre; Douland's Almain Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Eloquence V
Composer: Ardovino, Lori
Instrumentation: Solo Instruments: Flute
Genre: Contemporaryunaccompanied
Fifth in the Eloquence series is Eloquence V for solo flute. This virtuosic work explores the extreme range of the flute and illustrates the many timbral and coloristic traits of the flute through the use of extended techniques involving the breath, pitch bending, harmonics, vocals and key clicks. This work was written for Dr. Brittney Patterson, Assistant Professor of Flute at the University of Montevallo.
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Emergence of Night, The
Composer: Frank, Robert
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano: This beautiful and mysterious work follows the form of the poem "The Emergence of Night", also written by the composer. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
To $36.00
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Enantiodromia
Composer: Boots, Cornelius
Instrumentation: Duet Instruments: Flute
Genre: ContemporaryCornelius Boots writes: The second part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the “heavy chamber music” style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term “chthonic” [thon-ik] generally means “underworld.” However, Hillman thoroughly elaborates that its true meaning extends “below the earth and beyond it” into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible.
“Underworld images are ontological statements about the soul, how it exists in and for itself beyond life.”
The duo is divided into two sections: Nekyia and Hypnoia. Each of these is a Greek myth-nerd term for some key aspect of an archetypal descent into the underworld. In fact, nekyia is a term that specifically means “archetypal descent” as one finds in myths across the ages from Dante to the Greeks and beyond. Hillman sees a lack of sufficient nekyiamyths in our modern culture, “yet our popular heroes in films and music are shady underworld characters. Dante’s underworld was our culture’s last, and it was imagined even before the Renaissance had properly begun. Our ethnic roots reach back to great underworld configurations: the Celtic Dagda or Cerunos, the Germanic Hel, and the Biblical Sheol. All have faded…” (p.64)
Hyponoia is a more subtle term used by Plato that refers to an “undersense” or a “deeper meaning.” “The search for undersense is what we express in common speech as the desire to understand. We want to get below what is going on and see its basis, its fundamentals, how and where it is grounded.” (p. 137) This deeper understanding is one of the motivations and constant characteristics of the underworld descent: but the discoveries made and experiences experienced are not always as they seem to be. Hillman recommends over and over that we “see and see into each thing for what it is,” and not force a dayworld perspective onto dream images and occurrences.
As a duo movement, the term enantiodromia (“counter” enantio, and “running” dromia) is particularly appropriate as it is a grounding principle by which Jung understands the “regulative function of opposites.” As Hillman tends to turn things on their metaphorical heads, he fleshes out dualism and oppositionalism in such a way that in the underworld this actually becomes a unifying principle: “If you go far enough with any one movement, a countermovement will set in…The way up and the way down are one and the same: the manifestation of one power by opposite forces.” (p. 76) This implies a union of the two opposites, a conjunction as contrasted with an opposition. There are two voices but they are both flutes; there are two contrasting halves to the piece, yet they balance each other even in their differences.
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Energico!
Composer: Buss, Howard J.
Instrumentation: Septet Instruments: Flute
Genre: ContemporaryPiccolo, 4 Flutes, Alto Flute and Bass Flute: This riveting work begins with a stately section that presents harmonic and rhythmic material which is developed throughout the work. The festive main body of Energico! is in an episodic ABA-Coda format and mixes Buss’ unique style of soaring lyricism with crisp, energetic rhythms and colorful harmonies. The Long Island Flute Club, Inc., with support from The Brannen-Cooper Fund at Brannen Brothers Flutemakers, Inc., commissioned this work in celebration of its 25th anniversary - 1984-2009. Energico! was premiered at the 2009 National Flute Association Convention in New York City. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $42.00
To $84.00
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Eos
Composer: Friedland, Zach
Instrumentation: Quintet Instruments: Alto Flute, Bass Flute, Flute
Genre: Contemporary4 Flutes, Alto Flute and Bass FluteWritten for The Ohio State University Flute Troupe Katherine Borst Jones Conductor Learn More
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Escape
Composer: Woodhouse, Ryan
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano
Music possesses the amazing ability of transporting its listener to a beautiful world of sound where the pressures of everyday life can be momentarily forgotten. The escape that music can provide is the inspiration of this piece. “Escape” was composed for performance at the 2011 Cortona Sessions for New Music in Cortona, Italy.
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Essay for Flute
Composer: Pethel, Stan
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano; This is a contemporary work that will be a nice challenge for a High School student and a perfect recital piece for a College student. It is audience friendly and the piano accompaniment is not too difficult. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$17.00 -
Excursions
Composer: Vogel, Roger C.
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano: This beautiful work is in 2 movements: The first is fast and in an extraverted mood. The second consists of a haunting slow section with a brisk conclusion that returns to the mood of the first movement. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Exultations
Composer: Vogel, Roger C.
Instrumentation: Quartet Instruments: Alto Flute, Flute, Piccolo
Genre: ContemporaryThis sparkling piece is festive and jubilant in character. It may be performed as a quartet or multiple flutes may be used on each part to create an effective flute choir work. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Fanfare
Composer: Holland, Anthony
Instrumentation: Solo Instruments: Flute
Genre: Contemporaryunaccompanied Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $13.00
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Fantasia
Composer: Douyon, Marc
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano: In 2 movements: Bluebird and Elegant Waltz. Bluebird begins as a ballad, with a lyrical melody and jazzy figures and ends as a short jazz waltz. Elegant Waltz, is a continuation of the jazz waltz idea from the previous movement. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Fantasie
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano: Composed for Amy Porter. This dramatic, colorful composition is cast in 2 interconnected movements. The first begins with a mysterious monologue by the flutist and is characterized by brilliant arabesque passages contrasted with subtle shadings of tone through the use of delicate dynamic nuances, tremolos, and flutter tonguing. As the piano enters, the ambience of the music shifts to one of nostalgic lyricism. The exciting second movement is moody, turbulent, and features a dance-like section hugely influenced by jazz and Latin music. Fantasie culminates in a rousing finale with the return of the Latin-infused dance. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Fantasy Quartet
Composer: Jordan, Scott
Instrumentation: Quartet Instruments: Bassoon, Clarinet, Flute, Marimba
Genre: Contemporary3 movements: Pixie Dance, Magic Forest, and Sprites. The first movement is a spirited, playful forest scene which employs contrasting metric feels simultaneously The Second evokes a mysterious nocturnal ambience with an overlapping of ethereal long tones and echoes. The third is quick and dance-like. Utilizing a 4-note scale, its colorful, rhythmic melodies are juggled among the 4 instruments Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $38.00
To $76.00
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Festival
Composer: Buss, Howard J.
Instrumentation: Quartet Instruments: Flute
Genre: ContemporaryAn imaginative quartet that exudes a contagious optimism. This beautiful, compelling work showcases Buss’ unique style of soaring lyricism and exciting contrasts. Everyone in the ensemble has a interesting part as well. It is a memorable and upbeat concert piece and makes a joyous musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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Five Intermezzi
Composer: Vogel, Roger C.
Instrumentation: Solo Instruments: Piano
Genre: ContemporaryAlthough an intermezzo may be found between the acts of a play or an opera, it may also be an independent work. These five intermezzi each have a different character: dramatic, energetic, lyrical, expressive, and emphatic. The movements are Allegro con brio, Lento espressivo, Allegro ritmico, Adagio espressivo, and Allegro appassionato. They may be played individually or in smaller groups. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Flurry
Composer: Nunes, Matthew
Instrumentation: Quartet Instruments: Alto Flute, Bass Flute, Flute
Genre: ContemporaryCast in 4 short movements: Allegro Energico; Dolce, pio; Giocoso; and Danza, this colorful, audience-friendly work makes a memorable feature number. Flurry may be performed by a quartet of C flutes. An alto flute part is provided as an alternative for part 3, and a bass flute part is provided as an alternative for part 4. Multiple players may be used on each part to expand the ensemble. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $32.00
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Flute Pizzazz
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Flute, Piano
Genre: Contemporarywith Piano: "Flute Pizzazz" for flute and piano by Howard J. Buss was written during the summer of 2017 and is dedicated to Nora Lee Garcia. This one-movement work is divided into 2 main parts. The first juxtaposes tender and forceful passages creating a moody sonic tapestry. The second and more extended part is in A-B-A form. Dance-like sections are separated by a developmental segment reminiscent of the atmosphere of the first part of the composition. Flute Pizzazz incorporates several colorful effects such as jet whistles, tongue pizzicato, and flutter tonguing. Score and part included. (6’30”) Grade V. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$18.00 -
Four New England Poems
Composer: Holland, Anthony
Instrumentation: Solo and Chamber group Instruments: Flutewith Percussion & Narrator: 1. Thoreau: Walden 2. Emerson: Nature 3. Walt Whitman: Leaves of Grass 4. Margret Fuller: Summer on the Lakes Learn MoreAs low as $22.00
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Geste et Ligne
Composer: Price, William
Instrumentation: Solo Instruments: Flute
Genre: Contemporaryunaccompanied
GESTE et LIGNE was composed in 2021 and explores the juxtaposition of quick gestures and long, lyrical melodies, hence the title.
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