Bassoon and Piano - Bassoon - 2 - 3
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Amazing Grace
Composer: Traditional Arranger: McDuffie, R
Instrumentation: Solo and Piano Instruments: Bassoon, Piano
Genre: Folk musicFor Bassoon and Piano, this is a nice and traditional setting of Amazing Grace. It will work for a recital, church service or really any concert setting one can think of. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Aria con Varizioni
Composer: Händel, Georg Friedrich Arranger: Ruske, Eric
Instrumentation: Solo and Piano Instruments: Bassoon, Piano
Genre: Baroquewith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Dance of the Blessed Sprits
Composer: Gluck, Christoph Willibald Arranger: Winter, Denis
Instrumentation: Solo and Piano Instruments: Bassoon, Piano
Genre: Classicalwith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Pie Jesu
Composer: Faure, Gabriel Arranger: Doughty, Bryan
Instrumentation: Solo and Piano Instruments: Bassoon, Piano
Genre: Romanticwith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Sonata for Bassoon and Piano
Composer: York, Barbara
Instrumentation: Solo and Piano Instruments: Bassoon, Piano
Genre: Contemporarywith Piano
This piece for bassoon and piano was written for my daughter, Megan Potter, for her Senior Recital in Bassoon in 2002. As I tend to write “concept” pieces, this Sonata was designed to be very personal and to revolve around my daughter and our immediate family.
The first movement depicts the “happy family” of her childhood, when we were all together. The second movement expresses some of the tender feelings she was then having for the young man whom she eventually married.
The third movement is one of my “Matthew” movements. I find that I often have my son in mind when I write some of my most cheerful and lively pieces and this one displays a certain jauntiness and irrepressible jocularity that Matthew always had as a young child.
Notes by Barbara York
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $20.00