Woodwind - Bach, Johan Sebastian - Haydn, Franz Joseph - York, Barbara - Flute - 4

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  1. Concerto No. 1

    Composer: Haydn, Franz Joseph Arranger: Bland, Justin
    Instrumentation: Woodwind Quintet Instruments: Bassoon, Clarinet, Flute, French Horn, Oboe
    Genre: Classical
    For Woodwind Quintet and the Horn player has the solo. It is a perfect piece to feature the Horn player! Learn More

    As low as $25.00

  2. Horn Concertos and Concert Rondo

    Composer: Mozart, Wolfgang Amadeus Arranger: Bland, Justin
    Instrumentation: Woodwind Quintet Instruments: Bassoon, Clarinet, Flute, French Horn, Oboe
    Genre: Classical

    For Woodwind Quintet and the Horn player has the solo. It is a perfect set to feature the Horn player!

    Includes:

    CONCERTO NO. 1, K. 412

    CONCERTO NO. 2, K. 417

    CONCERTO NO. 3, K. 447

    CONCERTO NO. 4, K. 495

    CONCERT RONDO, K. 371

     


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    As low as $60.00

  3. Prelude and Fugue XVII

    Composer: Bach, Johan Sebastian Arranger: Eden, Lawrence David
    Instrumentation: Woodwind Quintet Instruments: Bassoon, Clarinet, Flute, French Horn, Oboe
    Genre: Baroque
    a difficult setting from "Well Tempered Clavier". Requires practice. Learn More

    As low as $18.00

  4. Sonata for Flute

    Composer: York, Barbara
    Instrumentation: Solo and Piano Instruments: Flute, Piano
    Genre: Contemporary

    with Piano

    This piece was written for Dr. Catherine (Kate) Bergman from Emporia State University KS.  The biggest problem I had in writing this piece was that Kate is so NICE that there seemed to be almost nothing to write about! So I decided to write a piece about being “nice” and what it is like to be really “nice”, especially for a flute player, the flute being such a “nice” instrument in the first place.

    The first two movements, “A Cheerful Heart” and “Kindness” are, I think, fairly obvious, but I decided to do something different in the third movement and allow Kate (and our player) to have a little temper tantrum and lose her prevalent composure. In the third movement we hear the teacher instructing patiently and persistently yet growing, over time, increasingly impatient and frustrated. By the end she has lost much of her “niceness” and stamping her foot and has a minor fit of temper, still a large step for someone who started out where she did at the beginning of the piece.

    I always enjoy, even in my most serious or traditional music, having a little sense of humor lest we all take ourselves too seriously.

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    From $20.00

    To $40.00

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