Woodwind - 4

Autumn Winds for Oboe is meant to capture the many moods of the fall season. The unique feature of the piece, the quickly alternating tempo markings provide both a challenge for the player but also quickly take the listener through the range of emotions we experience as the leaves fall and the wind blows on a crisp Autumn day. For some, it can be exciting and invigorating as the air dries and the colors change in the trees around us. For others, fall brings more solemn feelings as the warm weather fades and we look ahead to the days of waning sunlight. Autumn winds should provide each audience member with their own personal memories of fall and the proper feelings they wish to experience while listening. Learn More

Composed for the Vientos Trio, this is a perfect piece for a college recital.  It is both fun for the players and audience pleasing.

For Oboe and Piano, "Bombur's Dream" is a three movement work that is a wonderful recital piece.

Program notes from the composer: 

For those who may need to brush up on their dwarf-lore, Bombur was one of thirteen dwarves featured in J. R. R. Tolkien’s book, The Hobbit. Along with the title character, Bilbo Baggins, and Gandalf the wizard, Bombur and the other dwarves set out on a long and dangerous quest to recover a vast treasure which had been stolen by the dragon Smaug. Along the way, Bombur stumbled into an enchanted river and promptly fell into a deep sleep from which he could not be awakened for several days. This meant that his friends had to carry him along with all their gear. (It should be noted that Bombur had what we might call a keen appreciation for fine cuisine; because of his resulting avoirdupois he was not an easy burden to bear.)

Eventually Bombur awoke but, according to Tolkien, when he learned that there was nothing to eat, he sat down on the ground and wept. “Why did I ever wake up?” he cried. “I was having the most beautiful dreams!”

The first movement of this piece has to do with Bombur’s lovely dreams and the second with his sorrow upon awakening. The third movement, “King Under the Mountain” is a cortège for the dwarves’ officious leader, Thorin Oakenshield. Bombur’s Dream is dedicated to the composer’s wife, the oboist Susan Joyce.

Written for Baritone Saxophone and Piano, this is a challening work that is most suited for a college age student. 

Program notes from the composer:

Just as Chagall mixed landscapes, characters, and creatures into a surreal concoction in his paintings, Chagallian Scenes does so in music. So we might start with a march only to dissolve into a waltz with flashes of dissonance morphing into cacophony, or we might settle comfortably into a key when suddenly it veers into an unrelated other. The movements are named after the pictures that inspired them.

The first movement, Promenade, or  Der Spaziergang, opens with cheery walking music appropriate for a man and his lovely lady out for a stroll. But the mood soon  edges into whole tone surrealism reflecting that the pink frocked lady is floating, held down to earth only by the grasp of her companion.

The music for The Wandering Jew  is influenced by the diverse dwellings of the Jewish diaspora, ranging from the Moorish influence of the Andalusia to the Klesmer of New York. 

The third movement, Au Dessus de la Ville (Over the town) has drifting rhythm, like the drifting figures over the town. The scene is dreamy and surrealistic with the music moving in and out of sync.

I And the Village, considered Chagall's most famous painting, cuts from one scene to another as if remembering a lifetime. The man with the scythe  trudges along throughout, listening to the sounds of the village: a goat bleating, a Klesmer violinist, the bells of the Russian Orthodox Church… it is a tapestry of joy and tragedy, hard labor and festive dance.

A continuous movement exploring Greed, Blue, Yellow and Red Learn More

This concerto, commissioned by music teacher William T. Robinson, was originally scored for Bass Trombone and String Orchestra. This version for Bass Clarinet and Piano was done by the composer and is a three-movement work approximately nine minutes long, each movement leading directly to the next.

The first movement opens with a slow introduction based on quartal harmony. The main portion of the movement is an allegro that explores changing meters. The second movement is slow, with a mournful character. The modal harmony is centered around D minor. The third movement is in an Afro-Caribbean style. The second and third movements include cadenzas for the soloist.