Orchestra - Mixed Ensemble - Solo and Chamber group - PDF download - Percussion - 5 - 4
Instrumentation: Solo and Chamber group Instruments: Bass, Percussion, Piano, Tuba
reduction with Rhythm section (recording is with wind ensemble)
The Concerto for tuba and winds is in my usual Third-Stream style, but I utilized
many new techniques for the first time in this piece. Jazz, rock, hip-hop and many kinds
of classical styles come together in the Concerto. Polymeter, improvisation and intuitive
swing notation play important roles in this piece as well as traditional four-part
counterpoint and ancient Greek form. It is simply titled Concerto in a classical fashion
but each movement has a more descriptive title.
I. Swing Low
III. Cutting Contest
I utilized a customized variation on the classical concerto form: a sonata-allegro
first movement, a slow second movement and a theme and variations finale.
Philosophically, this piece explores the traditional nature of a concerto from several
different angles. The first movement explores the cooperative side of a concerto. One
Latin root of the word concerto is conserere, which means to join. The soloist and wind
ensemble cooperate to produce many layers of polymeter in Swing Low. The Latin root
certamen, on the other hand, means to fight. So while the first movement is a
cooperative effort, the third movement, Cutting Contest, explores the idea of a musical
battle between the solo tuba and the wind ensemble on a familiar tune.
On March 6th, 2012, the Concerto was premiered in Seattle. Erin Bodnar led the
University of Washington Wind Ensemble with myself soloing. The Central Washington
University Wind Ensemble then recorded it with Dean Snavely conducting.
This reduction of Concerto features two different versions of the third movement
to allow for players to navigate the virtuosic fingering acrobatics on an E-Flat or F tuba.
The solo lines at letter E were inspired by Arban’s Carnival of Venice.
Curtis PeacockLearn More
January 26, 2014
Instrumentation: Mixed Ensemble Instruments: Percussion, Piano, Tuba, Vibraphone
Music from the CD "Under Tennessee Skies" featuring Tubist Chris Combest.
All the music was written for Chris and was supported by an MTSU Faculty Creative Activities Grant
Tennessee Journey (Tuba and Piano) - Barbara York
Synchronous Fireflies (Tuba, Piano and optional Percussion - Evan Zegiel
Under Tennessee Skies (unaccompanied Tuba) - Jamey Simmons
Broken Echoes (unaccompanied Tuba) - Brad Baumgardener
Becoming (Tuba and Vibraphone) - Brian Mueller
Nashville Nightlife (Tuba, Percussion and Piano) - Paul Osterfield
As low as $14.00
Instrumentation: Mixed Ensemble Instruments: Cello, Clarinet, Percussion, Tuba
Genre: ContemporaryTuba, Bb Clarinet, Cello and Percussion; Winner of a 2006 Harvey Phillips Award for Composition Excellence from the International Tuba-Euphonium Association Learn More
Instrumentation: Mixed Ensemble Instruments: Cello, Choir, Clarinet, Flute, French Horn, Oboe, Percussion, Viola, Violin
Written in 2019 for the choir of Our Lady of Lourdes Catholic Church, Pittsburg KS Carol Cook, Director
FLUTE, OBOE, CLARINET , HORN, SATB CHOIR, 2 PERCUSSION, 2 VIOLINS, VIOLA AND CELLO