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The 24 Trios from Reicha have been expertly arranged by Norman Pearson.

This set will work great in any setting and is particularily effective in a recital.

with Piano or downloadable backing tracks

Giulio Marco Bordogni (1789-1856), usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris. Bordogni was born in Gazzaniga, near Bergamo, Italy. He was a product of the exceptional Bergamo tenor school which originated with Giacomo David and Gaetano Crivelli, and in which can also be counted, in addition to David’s two best pupils, his son Giovanni and Andrea Nozzari, the excellent Domenico Donzelli and Giovanni Battista Rubini. Bordogni made his operatic debut at La Scala, Milan in 1813 in Rossini’s Tancredi, and became very active in promoting that composer’s music. He appeared in many of Rossini’s operas in their premieres in various towns and theaters. In 1825 he created the role of Conte di Libenskof in Rossini’s Il viaggio a Reims. He sang for many years at the Theatrea des Italiens in Paris. He became a teacher at the Paris Conservatoire in 2810 and continued to teach there until shortly before his death in Paris. He was the author of a published singing method, and composed many sets of vocalizes which remained in use by singers for a century afterwards. They remain popular as transcriptions for many instrumentalists today. He was probably the single most influential teacher of the English tenor Sims Reeves, who came to study with him in 1843, Bordogni was awarded the Legion d’Honneur on May 10, 1839 by M. de Gasparin, at the same time that it was awarded to Director of the Opera Duponchel, and to composer Hector Berlioz, who wrote that Bordogni was the best singing-master of the time.

- Alessandro Fossi

with Piano

  1.  Primavera

  2.  Nella notte d'aprile

  3.  Aprile

  4.  Vorrei

  5.  Io voglio amarti!

  6.  Rosa

  7.  Malia

  8.  Il pescatore canta!

  9.  Lamento d'amore

10.  La Serenata

11.  A Sera

12.  Preghiera

13.  Non t'amo più!

14.  Addio!

15.  Ricordati di me

16.  Ridonami la calma

17.  Tristezza

18.  Invano!

19.  Luna d'estate

20.  L'alba separa dalla luce l'ombra

21.  Dopo!

22.  Segreto

23.  Lungi

24.  Marechiare

25.  Ancora!

26.  L'ultima canzone

1. Kyrie - Plainchant

2. Cantiones Duarum Vocum - Lassus

3. Missa Dies Sanctificatus (Kyrie) - Palestrina

These three pieces were arranged for "Capital Thunder", the tuba/euphonium ensemble at Capital University.  While the initial intent was to create practical arrangements for teaching, the pieces work equally well in the concert hall.   The first movement is a plainchant Kyrie with the voices paired in octaves and unisons with each voice getting the chance to play with each other. It is a vehicle for working on intonation, but also captures the mysterious essence of Gregorian chant.  The arrangement is true to the traditional call and response nature of the Kyrie.  The second movement is a two-voice piece, again arranged so that all voices change pairings throughout.  The third movement is a true four-voice setting with total independence for all parts.