Search results for: 'brass quintet euphonium solo'

ITEC Day 2 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM1347 Suite for Euphonium, and Tuba - Barbara York (Ken Kroesche and Michael Taylor)

Euph., Tuba and Piano

TEP10340 Tubamobile - Thom Ritter George (Southern MS)

Tuba Quartet

CM2369 Evolutions - Ben McMillan (Southern MS)

Tuba Ensemble

CM1651 Sizzl’ - Robert Denham (Aubrey Foard)

Tuba and Piano

EU405 St. James Infirmary - Primrose/Forbes (U of N IA)

Tuba Quartet

CM2736 Convent Window - Joanna Ross Hersey (Joanna Ross Hersey)

Unaccompanied Tuba

EU402 Funeral March of a Marionette - Gounod/Forbes (U of AL)

Tuba Quartet

TEP10878 Nocturno, Op. 7 - Strauss/Fischer (Jeremy McBride)

Tuba and Piano

CM2140 Tubaphonium Overture - Zach Collins (Murray State)

Tuba Ensemble

CM1477 Gravity Dances - Anthony Zilincik (Murray State)

Tuba Quartet

CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)

Tuba Ensemble

TEP10935 Declarations - David Uber (U of TN)

Tuba Ensemble

Michael Kibbe writes about his Quintet No. 1, op. 30 for brass quintet:

The Quintet No. 1 for brass instruments was composed in 1975 when I was teaching at a university, though it was not premiered until many years later. The piece is the first of several for brass instruments. It is in three contrasting movements of a neo-Classical style, similar to the works of Hindemith.

1. Chestnut
2. Kaleidoscope
3. III. Caprice

“Divertimento for Wind Quintet” is a moderately difficult, vibrant piece in three short movements. The piece features dynamic contrasts, syncopation, varied tonal colors, full instrument ranges, tonal clusters of harmony, and imitative motifs that pass among the instruments. The work is delightful to play and hear. It's suitable for college and professional players, and it’s an excellent tool for teaching advanced students more refined ensemble and musicianship skills.

The first movement, “Chestnut” (3:00), is an entertaining story in which all the instruments combine to tell an animated tale. “Kaleidoscope” (2:40), the second movement, includes continually changing harmonic patterns and varied dynamics that create a wealth of shifting musical textures. The third movement, “Caprice” (2:50), is a whim brimming with energetic playfulness that radiates from all the instruments.

The instrumentation throughout is standard woodwind quintet with no alternative instrumentation or doubling. Each section can be performed as a standalone concert or contest selection.

In four movements, this is a perfect piece for a High School or College Brass Ensemble.

2 Trumpets, Horn, Trombones, Euphonium and Tuba

A new look at fundamental practice presented by Adam Frey. The Game of Practice features extensive background and understanding into how to organize your practice around a player's strengths and weaknesses. The overall guidance, work sheets, and concepts on setting goals and monitoring progress will help create a greater sense of awareness, progress and achievement. This 100 page book features insightful approaches to building your skills of Breathing, Buzzing, Articulation, Flexibility, and Technique!

Another amazing aspect of The Game of Practice involves its use of videos with QR Codes, "Tech Tips" and "Tool Tips" that educate players about how to measure their progress with various technology and tools. Finally, scattered throughout are "Tips from the Top." These commentaries feature wisdom and humor from Adam Frey's 20 year career as a soloist and teacher.

A portion of all sales of The Game of Practice will be donated to help fund the Earle Louder Fellowships from the Euphonium Foundation.