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Brom Bones
Composer: Buss, Howard J.
Instrumentation: Octet Instruments: Alto Clarinet, Bass Clarinet, Clarinet, Contrabass Clarinet, Eb Clarinet
Genre: Contemporary"Brom Bones" for clarinet choir (1 Eb, 3 Bb, 2 Eb Alto, 2 Bb Bass, and 1 Bb Contrabass) musically depicts the character and exploits of Washington Irving’s dashing prankster in "The Legend of Sleepy Hollow." The work is in 5 movements: Following the energetic and heroic "Overture", in "The Smoke Out" tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, "The Schoolhouse Caper," combines very aggressive and topsy-turvy passages with humorous, plodding interjections. "Ichabod’s Romance" begins as an enchanting unaccompanied ballad, which is abruptly disturbed by a cacophony of raucous clarinets, suggesting the whining of Brom’s mocking dog. Reverent hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful bass clarinet solo. The intense final movement, "Night Encounter," depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $50.00
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Brom Bones
Composer: Buss, Howard J.
Instrumentation: Brass Choir Instruments: Bass Trombone, French Horn, Trombone, Trumpet, Tuba
Genre: Contemporary"Musically depicts the character and exploits of Washington Irving’s dashing prankster in The Legend of Sleepy Hollow. The musical ensemble consists of 4 Bb trumpets (an optional Eb part is included for trumpet 1), one French horn, 3 tenor trombones, one bass trombone and tuba. This entertaining composition is in 5 movements, the first 2 are interconnected: Overture, The Smoke Out, The Schoolhouse Caper, Ichabod’s Romance, and Night Encounter. Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of muted brass, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful solo. The intense final movement, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise." Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $50.00
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Cadenzas and Interludes #1
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Alto Sax, Violin
Genre: ContemporaryViolin and Alto Saxophone
Cadenzas and Interludes #1 "Memories from the Isle of Mull" was composed by Howard J. Buss and dedicated to Drs. Rachael and Stephen Fischer. It was inspired by the composer’s visit to the picturesque Isle of Mull in Scotland’s Inner Hebrides. Particularly memorable was a Saturday night Cèilidh* in the island’s capital, Tobermory, which included traditional music from the area. The Scottish musical influences are not direct in Cadenzas and Interludes #1; rather, their spirit is blended with Buss’s style of soaring lyricism with a modern bent.
*Pronounced, Kay-lee. In Gaelic, a Cèilidh is a social gathering featuring music, storytelling, and dance.
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Cadenzas and Interludes #2
Composer: Buss, Howard J.
Instrumentation: Quartet Instruments: Cornet, Euphonium, French Horn, Trombone, Trumpet
Genre: ContemporaryCadenzas and Interludes #2 for brass quartet by Howard J. Buss may be performed by a standard brass quartet, or a quartet consisting of a Bb cornet, Eb tenor horn, Bb baritone (T.C.) and Bb euphonium (T.C.), or for a quartet derived from these two groups. The cornet player (or trumpet 1) has the option to double on the Flügelhorn between letters K and M.
During this composition each player performs a cadenza. Although the cadenzas are written out, the players may perform what is notated or may take liberties to personalize the music, keeping in mind that it is important that all of the cadenzas should have approximately the same duration.
Although the musical language is sophisticated, this concert work is constructed in a way to make it accessible to general audiences.
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Café for piano
Composer: Douyon, Marc
Instrumentation: Solo Instruments: Piano
Genre: ContemporaryCAFÉ for solo piano by Marc Douyon is based on the Haitian folk tune “Manmam voyém pézé café.” The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. Café is divided into two main parts, the Prelude and the Dance. This work begins with lyrical melodic fragments over a light chordal accompaniment. A recitative follows with a theme, which is also lyrical in nature. But, soon after, that same theme from the recitative takes on a happier character in a waltz accompanied by a walking bass. There, syncopated rhythm, sequences, chromatic harmony, and refrain-like passages take the dance to new heights until the end. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Canticles of Saint Francis
Composer: Buss, Howard J.
Instrumentation: Solo Instruments: Clarinet
Genre: ContemporaryA tribute to St. Francis of Assisi, the venerated Catholic friar, preacher, founder of several Orders, and lover of animals and the environment. Canticles is in 4 movements, Prelude, Worldly Pleasures, Meditation, and A Blessed Legacy. It showcases the sonic beauty and technically agility of the clarinet. The character of the music ranges from soulful introspection to worldly exuberance. At the opening of the first movement and near the close of the last, sounds a four-note melodic fragment, G, F, D, and B, which is derived from St. Francis’ name at birth, Giovanni Francesco di Bernadone. This device is used sparingly so that when it does appear, it is given special prominence. Canticles of Saint Francis was composed during the autumn of 2012 and was commissioned by clarinetist Kathleen Jones for ClarinetFest 2013 in Assisi, Italy. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Canticles
Composer: Vogel, Roger C.
Instrumentation: Duet Instruments: Cello, Flute, Piano
Genre: ContemporaryA beautiful, lyrical work in two movements: Lied Rhapsody and Serenade-Caprice. While often associated with liturgical music. The term “canticle” is simply a synonym for a song. In Canticles the main musical ideas are song-like melodies that are shared by all three instruments. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Cantilena
Composer: Alpher, David
Instrumentation: Duet Instruments: Flute, Viola
Genre: ContemporaryFrom the composer: “As its name suggests, Cantilena is all about singing, lyric lines. It’s a songlike dialogue, with contrasting tempi. While melodies are hardly foreign to either instrument, the viola-in the chamber literature and especially the symphonic literature-has had a surfeit of accompanimental, supporting figures. This unthrilling role is kept to a bare minimum in Cantilena. I tried to create a genuine duo, a give-and-take aural relationship between two beautiful instruments that rarely have the whole stage to themselves.” Cantilena was commissioned by flutist Sally Schlichting and was premiered by her and violist Sam Williams in November 2005. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Flute
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: French Horn, Trombone, Trumpet
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Scored for brass quartet (2-1-1 or 2-0-2) - part 3 of the music can be played by either a trombone or a French horn. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Bassoon
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: French Horn
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Alto Sax, Baritone Sax, Soprano Sax, Tenor Sax
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Trombone
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Trumpet
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss is scored for trumpet quartet: 4 Bb, or 3 Bb and one Bb bass (or baritone or trombone). A bass clef part is included for the 4th part in case a bass trumpet is not available. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Canzona
Composer: Maschera, Florentio Arranger: Buss, Howard J.
Instrumentation: Quartet Instruments: Clarinet
Genre: RenaissanceCANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style and makes a memorable feature number for a recital as well as a wonderful musical offering in church. On the Ohio Contest List Class B - 1013500 Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Capriccio
Composer: Buss, Howard J.
Instrumentation: Mixed Ensemble Instruments: Clarinet, Percussion, Trombone
Genre: ContemporaryA whimsical composition. the overall structure of the work is related to sonata-rondo form. Following an introduction, the frolicking Exposition unfolds only to be interrupted by a chorale-like episode followed by a paraphrase of the opening “thematic” material. The development section consists primarily of cadenzas for the percussionist, trombonist, and clarinetist respectively. (The cadenzas are separated by colorful transitional passages.) The clarinet cadenza is abruptly interrupted by the percussionist and trombonist leading to a section in Dixieland style. The composition concludes with a Recapitulation and Coda. Capriccio subtly pokes fun at the pyrotechnical characteristics exhibited by many contemporary compositions and the same time hints at a parallel with similar elements in Dixieland and jazz. The work was premiered in at the University of South Florida in Tampa by the composer on trombone, clarinetist Judy E. Buss, and percussionist Robert McCormick on November 24, 1981. The instrumentation includes 5 tom-toms, snare drum, tambourine, suspended cymbals, cowbells, triangle, tam-tam, bell tree, one timpani, vibraphone & bells. "Frolicking and freewheeling with 12-tone Dixieland to boot!" - The London Times Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Cascades
Composer: Vogel, Roger C.
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: ContemporaryMusical “cascades” rush forth from one another throughout in this exciting new work. Cascades is divided into three main sections. A fast energetic opening eventually gives way to a slower section before the opening mood returns in increasing intensity to the rousing conclusion. This accessible composition makes an outstanding contest piece, feature number, or because of its character, a dashing encore. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Celestial Visions
Composer: Buss, Howard J.
Instrumentation: Solo Instruments: Piano
Genre: ContemporaryCELESTIAL VISIONS for solo piano by Howard J. Buss. This colorful composition consists of 3 contrasting sections. The first is characterized by vibrant tone clusters and powerful exclamations juxtaposed with gentle harmonics and delicate arpeggiated figurations. The beautiful, lyrical central section gives way to a lilting 12-tone toccata. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Christmas Long Ago
Composer: Vogel, Roger C.
Instrumentation: Solo Instruments: Flute, Voice
Genre: Christmas, ContemporaryCHRISTMAS LONG AGO by Roger Vogel for voice and flute choir. Based on a poem by Jo Geis, this entertaining work is scored for flute/piccolo, 3 C flutes, alto flute in G, bass flute, and includes a part for optional contrabass flute. The range of the vocal solo is from Eb4 to G5, it is especially suitable for medium voice, but most sopranos, altos, and tenors will find it comfortable to sing. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $24.00
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