Composer: Berry, Andrew Instrumentation: Solo and Piano Instruments: Piano, Tuba Genre: Folk music
with Piano; This is Andrew Berry’s first completed composition for the two instruments. Though it primarily features the tubist as the solo voice, the pianist plays an important role both melodically and harmonically, truly making the composition a piece of chamber music. Each of the three episodes are entirely “absolute” music. While there is no programmatic inspiration behind the piece, there is melodic and harmonic continuity among the three episodes that allow the performers to tell their own story in the larger context of the piece.
Episode I is primarily composed of a-symmetric meters (5/4 and 7/8) with subdivision groupings that are often changing. Along with the jazz-inspired rhythms, this effect creates an imbalance of time that is truly never resolved in the entirety of the movement.
Episode II is much like a fantasy, with melodic ideas flowing naturally between the two performers without focusing too heavily on the previous material. The episode is divided into three main sections, each with its own individual mood and pacing.
Episode III is the final movement of the piece and acts as a realization of the material from the previous movements. The changing subdivisions in the asymmetric meters are still present, however the melodic material is much more tonal and conclusive in its cadences. Energy and drama build up to the final minute of the piece, where a calm reminiscence of the piece’s opening material transitions into a beautiful final melody from the tubist and conclusion of epic proportions from both performers.
3 Episodes for Tuba and Piano was premiered by Nick Collins (tuba) and Dr. Eric Jenkins (piano) on April 25th, 2021 during Nick’s senior tuba recital at Kennesaw State University.
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Composer: Lester, Ian Instrumentation: Quartet Instruments: Euphonium Genre: Contemporary
This original work written for Tuba Euphonium Quartet, as you might can tell from the name, features two contrasting sections, one a slower more reminiscent section which is followed by a faster and more aggressive section. Learn More
Composer: Suppe, Franz von Arranger: Olt, Tim Instrumentation: Brass Choir Instruments: Drum Set, French Horn, Trombone, Trumpet, Tuba Genre: Classical
4 Trumpets, 2 Horns, 3 Trombones, Tuba and Drum Set Learn More
Composer: Sousa, John Philip Arranger: Olt, Tim Instrumentation: Brass Choir Instruments: French Horn, Percussion, Trombone, Trumpet, Tuba Genre: March
4 Trumpets, 2 Horns, 3 Trombones, Tuba and Percussion Learn More
Composer: Berry, Andrew Instrumentation: Quartet Instruments: Euphonium, Tuba Genre: Contemporary
EETT; Quartet No. 1 is Andrew Berry’s first completed composition for Tuba/Euphonium quartet. While there is no real programmatic story behind the music, various themes are introduced and developed throughout the three movements to create a sensation of “conflict and resolution”. The first movement is mostly composed of dance-like figures that want to be in major harmonies, however often succumb to minor harmonies. The second movement presents new ideas of conflict and searches for resolutions. These resolutions are usually met with defeat and the performers are challenged with new but familiar ways to continue combating these conflicts. The final movement is a series of more dances that present conflict at its most extreme, however is abruptly resolved at the end of the piece as the quartet celebrates with joyous flourishes in the euphonium parts. Each of the four parts are demanding in their own way, and the quartet as a whole is best suited for an experienced undergraduate ensemble or a graduate/professional ensemble.
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Composer: Revis, Samuel Instrumentation: Solo and Piano Instruments: Piano, Tuba Genre: Contemporary
with Piano; Doubles was composed in 2018 and is intended to be performable on either Contra-bass or Bass tuba. The piece contrasts a slightly sad, sweet melody in the 3/4 sections with the jovial, bouncing lines of the 3/8 sections. The piano part in Doubles is also extremely important and frequently engages in a call and response with the melody in the tuba. Doubles is dedicated to the memory of Barbara York as a thank you for the assistance she joyfully gave me in while I was working on the piece. Learn More
Composer: Horne, Benjamin Instrumentation: Solo Instruments: Euphonium Genre: Contemporary
"Unaccompanied; Stutter Step is work for unaccompanied euphonium and was commissioned by Patrick Geren. The work was influenced by the music of Argentine composer, Astor Piazzolla, who revolutionized tango music in the 20th century. Stutter Step opens with an introduction meant to be played freely and without time. It is a scene as if the two dancers are entering the room. An opportunity for the performer to demonstrate virtuosic musicality and interpretation. A meter and tempo are then given as the dance begins. Style and articulation are of the most importance in this section. Following is another freer section, however this time there is a greater sense of melody than in the introduction. The compound melody of this section works in tandem to outline harmony with a bassline accompanying the main melody. Familiar material then transitions the piece back to the dance tempo and to the coda as the work ends with a flourish." Learn More
Composer: Oliver, Jonathan Arranger: Oliver, Jonathan Instrumentation: Quartet Instruments: Euphonium, Tuba Genre: Contemporary
EETT; The purpose of this book is to give performers the opportunity to create their own version of a tuba euphonium quartet and to perform music of various difficulty levels, styles, and genres with this new group. Arrangements in this book are based on musical ideas from around the world, including the United States, Russia, Ireland, and Spain. Multiple styles of music such as Blues, Swing, and Rock are included to help begin the concepts of improvisation. Different musical modes, key signatures, and meters are explored throughout the book, with careful consideration to the practical playing ranges of the instruments. I truly hope you enjoy this collection of works.
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Composer: Vaughan Williams, Ralph Arranger: Revis, Samuel Instrumentation: Solo and Piano Instruments: Piano, Tuba Genre: Folk music
with Piano; Originally for solo for male voice, Whither Must I Wander, in 2020. When I first heard the piece I immediately fell in love with the melody and wanted to see how it fit the tuba. Whither Must I Wander ultimately fit the tuba perfectly and truly allows the performer to soar through their range on true cantabile lines. Learn More
Composer: Fulkerson, Jacob Instrumentation: Solo Instruments: Tuba Genre: Contemporary
Unaccompanied; A game for the ages... This unaccompanied work tells the tale of two rivaling teams: the Ogres and the Sprites. Throughout this four-movement work the performer brings to life each team’s national anthem and highlights the different
tactics they use on musical field. No matter which team you’re rooting for, this
playoff is one for the ages and leaves it to the imagination of the performer to
decide who emerges victorious.
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Composer: Revis, Samuel Instrumentation: Solo Instruments: Tuba Genre: Contemporary
Unaccompanied; Three Attitudes for Tuba was composed in 2018 and shows a contrasting capability of the tuba in each movement. The first movement shows the rage capable with a brass instrument, then is immediately contrasted by the calm, lyrical nature of the second movement. The third movement shows the jovial nature of the tuba with its bouncing lines and lilting melodies. The third movement of Three Attitudes for Tuba is a dance and should have the agogic accents which accompany a dance. Learn More
Composer: Revis, Samuel Instrumentation: Solo Instruments: Euphonium Genre: Contemporary
Unaccompanied; Euphonium Groove was composed in 2018 and premiered by Thomas Jansen, a University of Central Arkansas graduate student, in 2021. Euphonium Groove plays with the rhythmic variation that can occur in a measure with eight eighth notes to create a fun, bouncing groove. The piece is designed to allow the soloist to use a mixture of rhythmic accents, range, and silence to create an accessible, lively, and fun performance.
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Composer: Vaughan Williams, Ralph Arranger: Flanagan, Kevin Instrumentation: Sextet Instruments: Euphonium, Tuba Genre: Hymn
3 Euphoniums and 3 Tubas; An arrangement of a “Lovely” song by Ralph Vaughan Williams that is sure to bring a moment of peace and calm to any concert setting Learn More
Composer: Tchaikovsky, Peter Arranger: Flanagan, Kevin Instrumentation: Octet Instruments: Euphonium, Tuba Genre: Classical
4 Euphoniums, 4 Tubas and Percussion; An arrangement of the exciting and fast paced Dance of the Jesters originally composed by Tchaikovsky, this piece would be a great finale for any concert. Learn More
Composer: Horne, Benjamin Instrumentation: Quartet Instruments: Euphonium Genre: Contemporary
Tango Divertido" is a work for euphonium quartet. Originally conceived for solo euphonium and piano, this piece intends for the four parts to all contribute to a single solo line. This idea is further accentuated in the cadenza section as all four parts trade off phrases that could otherwise(or if necessary) be a single soloist for the duration. This concerto grosso, of sorts, is inspired by the music of Astor Piazzolla with two distinct sections: one slow, one fast, and with the aforementioned cadenza separating them. Learn More
Composer: Fulkerson, Jacob Instrumentation: Quartet Instruments: Euphonium, Tuba Genre: Contemporary
EETT; A fantastic new quartet that features intense rhythms and wonderful themes that conjure thoughts of movie scores and video games. A great concert opener. Learn More