Search results for: 'Brass quartet and organ'
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Rhapsody and Allegro
Composer: Frank, Robert
Instrumentation: Solo and Harp Instruments: Harp, Piccolo
Genre: Contemporarywith Piano: The 1st movement alternates between free, cadenza-like material and metered, coordinated passages. The 2nd is playful with soaring, lyrical melodies. Commissioned for Diane Boyd, premiered at the 2000 N.F.A. Convention in Columbus, Ohio. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Engfuhrung
Composer: Adler-Mckean, Jack
Instrumentation: Solo and Harp Instruments: Harp, Tuba
Genre: ContemporaryTuba and Harp
From the composer:
Paul Celan’s late works are deeply ontological, continually searching for new sources of meaning, looking for solutions to problems rather than stating them. He has no use for realism, imitation or reproduction, but his poetry is in no way hermetic – it must “make sense”. This paradox, particularly as exemplified in Engfuhrung, is the starting point for this attempt to create music that combines the seemingly opposing sound worlds of the tuba and the harp. Many composers have been attracted to themes raised by Celan’s works, but I have chosen to explore the unique structure and language that he employs rather than referring directly to any particular subject matter. Particularly influential have been his creation of new sounds which are familiar and yet incomprehensible, linked together by silences that are both desired and feared. Engfuhrung (in musical terminology ‘stretto’ but more usefully translated as ‘straightening’ or ‘narrowing’) suggests by its very name a temporal mode of construction, a rapid succession of entries compressed to near simultaneity, but equally important is the principle of breath units rather than metrical or syntactic units, as one commentator put it “the rhythm of its own caesuras”. Once the source materials have been exchanged, negated and dissolved into one another, they can return at the end and be re-experienced as an attempt at mediation, an attempt to discover meaning behind the words.
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Pavane
Composer: Faure, Gabriel Arranger: Lisjak, Vanja
Instrumentation: Solo and Harp Instruments: Euphonium, Harp
Genre: Classicalwith Harp
The Pavane in F-sharp minor, Op. 50, is a composition for orchestra and optional chorus by the French composer Gabriel Faure, written in 1887. Obtaining its rhythm from the slow processional Spanish court dance of the same name, the Pavane ebbs and flows from a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting Belle Epoque elegance. This edition was arranged for euphonium and harp by composer Vanja Lisjak for euphonium virtuoso Steven Mead.
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Soleá
Composer: Nogueroles, Eduardo
Instrumentation: Solo and Harp Instruments: Flute, Harp
Genre: Contemporarywith Harp
In Soleá, the flute presents a melancholic and gentle melody accompanied by the harp, which replaces the traditional Spanish guitar in the accompaniment, including some of its typical effects, such as strumming and hitting the body of the instrument.
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Zoom
Composer: Buss, Howard J.
Instrumentation: Solo and Harp Instruments: Bass Trombone, Harp, Tuba
Genre: ContemporaryBass Trombone or Tuba with Harp:Commissioned by Brandt Attema and Astrid Haring and written during the winter of 2010-11. The composition was inspired by the spectacular images as seen through a satellite camera as the composer zoomed in on the coastline of The Netherlands. The strong narrative quality of the music couples with Buss’ unique style of soaring lyricism with crisp, energetic rhythms and colorful harmonies, makes this work accessible to a wide array of different types of audiences. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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