Search results for: 'brixton'
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Fanfare A La Stravinsky
Composer: Sterrett, David
Instrumentation: Brass Choir Instruments: French Horn, Trombone, Trumpet, Tuba
Genre: ContemporaryFANFARE `A LA STRAVINSKY for three small antiphonal brass choirs (a brass quintet and 2 brass trios) by David M. Sterrett. The total number of instruments used is 4 trumpets, 3 horns, 3 trombones, and one tuba. This exciting antiphonal work features loud, brazen chords collectively sounding from groups of players spatially separated, fast melodic lines and gestures being passed around from group to group, different groups competing for attention, etc. The composer weaves in 3 brief quotes from 3 works by Stravinsky at the fanfare's 3 high points. This is a antiphonal brass fanfare with a modern twist, a fanfare 'a la Stravinsky. Score and parts are included. Score & parts included. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
To $44.00
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Brom Bones
Composer: Buss, Howard J.
Instrumentation: Brass Choir Instruments: Bass Trombone, French Horn, Trombone, Trumpet, Tuba
Genre: Contemporary"Musically depicts the character and exploits of Washington Irving’s dashing prankster in The Legend of Sleepy Hollow. The musical ensemble consists of 4 Bb trumpets (an optional Eb part is included for trumpet 1), one French horn, 3 tenor trombones, one bass trombone and tuba. This entertaining composition is in 5 movements, the first 2 are interconnected: Overture, The Smoke Out, The Schoolhouse Caper, Ichabod’s Romance, and Night Encounter. Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of muted brass, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful solo. The intense final movement, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise." Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $50.00
To $100.00