Search results for: 'Brass quartet and organ'
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Organica
Composer: Batterham, Andrew
Instrumentation: Trio Instruments: Guitar, Trombone, Trumpet
Genre: ContemporaryTrumpet, Trombone and Guitar
From the composer:
The term “organic” usually refers to something grown from a living organism. In this piece, all harmonic and melodic material grows from a single note. The opening passage expands the note into an organic scale unique to the piece, which is then used to underpin the rest of the work. Rhythmically the work grows from beginning to end. The slow, single and duple pulse of the opening passage is expanded to triple time at bar 22, and further to quadruple time from bar 133 onwards. From bar 186 both brass players improvise freely on material present earlier in the piece, almost in the manner of a jazz jam session.
Organica was commissioned by Ensemble Three through the University of Melbourne in 2013, for premiere and recording by Don Immel, Joel Brennan and Ken Murray.
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Organ Fugue in G Minor (Little Fugue)
Composer: Bach, Johan Sebastian Arranger: Renshaw, Gretchen
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: BaroqueEETT
Gretchen Renshaw arranged J.S. Bach’s “Little” Fugue in Gminor, BWV 578 for Tuba-Euphonium Quartet. This well-known fugue was originally written for Organ and has been arranged many times for other instrumentations. Renshaw writes, “This arrangement for tuba-euphonium quartet is sure to provide a challenging, yet rewarding experience. Performers must strive for clarity of the subject whenever it is present, a task which becomes increasingly difficult as more voices are added to the texture.” Performers must add their own dynamic and expressive markings, as performers of the eighteenth century would have done.
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ITEC Day 1 May 30, 2016
Instruments: Euphonium, TubaITEC Day 1 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM2675 The Struggle Within - Jonathon Oliver (TN Tech)
Tuba Ensemble
CM0168 Quartet for Brass - Ramsoe/Buttery (The Alchemy Quartet)
Tuba Quartet
CM 0108 Twinkle, Twinkle Little Star - Mozart/Werden (The Alchemy Quartet)
Tuba Quartet
TEP10752 Procession of the Nobles - Rimsky-Korsakov/Butler (KS State U)
Tuba Quartet
CM2875 The Girl with the Flaxen Hair - Debussy/Maxwell (KS State U)
Tuba Quartet
OV1001 Cat Affairs - Anna Baadsvik (Beth Mitchell and Alex Lapins)
Tuba or Euphonium duet and Piano
TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)
Tuba Ensemble and Percussion
BW0494 Suite for Six Tubas - Barton Cummings (UCLA)
Tuba Ensemble
TEP10221 Quatre Chansons (UCLA)
Tuba Quartet
CM2117 Four Paintings by Grant Wood - Barbara York (John Manning)
Tuba and Piano
TEP10697 Concerto per Flicorno Basso - Amilcare Ponchielli (Benjamin Pierce)
Tuba and Piano
OV0713 Vise (Simple Song) - Skomsvoll (Oystein Baadsvik)
Tuba and Piano
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Fuga, from Organ Works IX
Composer: Bach, Johan Sebastian Arranger: Kono, Yutaka
Instrumentation: Solo and Piano Instruments: Euphonium, Tuba
Genre: BaroqueFrom the Baroque period, this is a nice challenge for any college ensemble. Learn MoreFrom $15.00
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Cantatibus organis, Caecilia virgo
Composer: Torqvet, Daniel Arranger: Drobnak, Kenneth
Instrumentation: Octet Instruments: Euphonium, Tuba
Genre: Classical4 Euphs and 4 Tubas Learn MoreFrom $18.00
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Choral from "Organ Symphony No. 7"
Composer: Widor, Charles Arranger: Preece, Mark
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: RomanticFrom $20.00
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Ceremonial Music for Brass Quartet (score)
Composer: Various Arranger: Thomas/Neu
Instrumentation: Quartet Instruments: Euphonium, French Horn, Trombone, TrumpetScore Air on the G String - Bach; Canzona Bergamasca - Scheidt; Earl of Oxford's March - Byrd; Fanfare and Te Deum - Charpentier; Fanfare from "Water Music" - Handel; Galliard Battaglia - Scheidt; Jesu, Joy of Man's Desiring - Bach; Kanon - Pachelbel; Ode Learn MoreAs low as $18.00
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Quartet for Brass
Composer: Scott, Steve
Instrumentation: Quartet Instruments: Euphonium, French Horn, Trombone, Trumpet2 Tpts, Hn and Euph: 3 mvts. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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String Quartet in Bb, Op. 1, No. 1
Composer: Haydn, Franz Joseph Arranger: Dobrinescu, Ioan
Instrumentation: Brass Choir Instruments: French Horn, Trombone, Trumpet, Tuba
Genre: Baroque9 piece Brass - 1. Presto, 2. Minuet, 3. Adagio, 4. Minuet, 5. Finale - Presto: 3 Bb Tpt, 2 F Hrn, 3 Trb, Tba Learn MoreAs low as $30.00
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Pomp and Circumstance No. 1
Composer: Elgar, Edward Arranger: Heading, Andrew
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: Classical, MarchElgar’s most hated piece – at least the piece that he came to hate – was the trio from this march, known by its more familiar title, “Land of Hope and Glory”. Of course, if Elgar had heard it performed by a brass quintet, he may well have started enjoying it again. Never mind, this piece is an audience favorite, and will really get the trumpets working together.
– Andrew Heading
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Collection of Works for Euphonium and Piano, A
Composer: Mantia, Simone Arranger: Renshaw and Mead
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classical, Contemporary, Theme and Variationwith Piano
Simone Mantia is one of the most important euphonium virtuosi in the history of the instrument. His contributions to the euphonium repertoire are significant. A composer and arranger, Mantia recognized the need to expand the euphonium repertoire and was active in bringing the euphonium from the back of the band to the front of the stage as a solo instrument.
This solo collection presents modern editions of some of the most well-known pieces in Mantia’s repertoire. These editions are based on the materials found in the Simone Mantia Collection, a resource archived in 2009 by Gretchen Renshaw which contains many of Mantia’s musical possessions. Through collaboration with Steven Mead, Renshaw has aimed to correct the errors in the original versions of these pieces and provide editorial suggestions that will aid in exciting performances of these works.
The titles included in this collection are: Believe Me, If All Those Endearing Young Charms, Valse Caprice “Priscilla”, Rio Rita, The Southerner, Solvejg’s Song and Fantasie Originale.
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Mini-Suite For 2bAS and Percussion
Composer: Cummings, Barton
Instrumentation: Duet Instruments: Marimba, Percussion, Tuba, Vibraphonewith Percussion;
1. Breezin’
2. Up and At ‘Em!
3. Silently...In Dreams...
4. Burlesque
5. Serenade
6. Interlude
7. The Finale
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String Quartet No. 1, Mvts. 2 and 3
Composer: Beethoven, Ludvig van Arranger: Mietz, Joshua
Instrumentation: Quartet Instruments: Bass Clarinet, Clarinet
Genre: Romantic3 Clarinets and Bass Clarinet
Dedicated to Prince Franz Joseph von Lobkowitz, String Quartet No. 1 in F Major, Op. 18, No. 1, was finished on June 25, 1799 with some revisions thereafter. Beethoven initially felt it to be a work in progress and commented that he had not yet “learned to write quartets properly.” Despite his perfectionism, only minor changes were made after the premier performance. The Adagio is impassioned, tragic, and dark. Karl Amenda, Beethoven’s violinist friend, revealed that the composer contemplated the tomb scene from Shakespeare’s Romeo and Juliet when composing this operatic second movement. Toward the end of the movement, the rhythms of the solo voices become faster and, as such, become more severe. The Scherzo third movement closely resembles the playful quality found in Haydn’s quartets and is most closely aligned with the harmonic structures of the first movement.
A clarinetist approaching this work faces many of the same challenges of his string-playing colleagues including: interpretation, note length, tempi, dynamics, and all other musical decisions. To further complicate matters, clarinetists must also discuss and agree upon breathing strategies and alternative fingerings. While this work is orchestrated for three B-flat soprano clarinets and a B-flat bass clarinet with a low C extension, it may be performed by a larger clarinet-choir as well. Throughout the original work, there are places where a string player performs double or even triple stops and those notes have been included in this transcription for two reasons: the first is to provide options to the players performing in a quartet to add a slight variance in color, the second is to further enhance the harmony when the work is performed by more than four clarinetists. It is remarkable to observe the subtle variances in flexibility and tone when performed by a four-person ensemble as opposed to a larger group. This edition does not vary from the original in key or, to the extent possible, range with the exception of a few octaves that have been transposed to better promote facility on the clarinet.
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Tuba Quartet: Study in Motions, Hymn, and Finale
Composer: Koltz, Michael
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryFrom $17.00
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Silver and Brass
Composer: Stevens, John
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryEETT
From the composer:
Silver and Brass was composed by John Stevens in December, 2015 and January 2016 for the distinguished British tuba/euphonium quartet “Tubalate” in celebration of their 25th anniversary. The title pays homage to both the anniversary (silver) and the nature of the group’s instruments (brass). The five short vignettes are meant to be played separately, as an opening fanfare and subsequent interludes between more substantial works on a given program. The inspirations for this format are the Promenades in Mussorgsky’s “Pictures at an Exhibition”, with each interlude transporting the listener from one larger work to another. However, the piece may also be performed as a unified, five-movement work, with the first and fifth movements acting as a Prologue and Epilogue respectively.
The interludes are intentionally contrasting in tempo and style and can be performed in whatever order makes the most musical sense given the nature of the more substantial works on a program. If the movements are performed as a single work, they should be played in the order in which they appear in the score. The primary unifying aspect of the piece is the reliance on meters in five. Each movement begins in either 5/8 or 5/4, and the entire work is dominated by those meters. This is simply another way to pay homage to the Promenades of Mussorgsky’s great work.
I have been fortunate to have a long and wonderful relationship, of both musical collaboration and personal friendship with the members of Tubalate. Congratulations to them on the milestone of having been one of the world’s leading brass chamber ensembles for a quarter of a century.
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Sparkling New Brass Star
Composer: Liang, Wan-Yun
Instrumentation: Solo and Brass quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba, Trombone
Genre: ContemporaryTrombone solo with Brass Quintet accompaniment.This piece is on the easier side and recommended for the high school level
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Hymn Medley for Brass
Composer: Various Arranger: Young, Donald
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: HymnA medley of hymns that includes: A Mighty Fortress Is Our God; Come Ye Sinners, Poor And Needy; Praise God From Whom All Blessings Flows; It Is Well With My Soul (alt.When Peace Lika A River); How Firm A Foundation Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Concerto for Tuba and Strings - Plau
Composer: Plau, Arild
Instrumentation: Solo and String orchestra Instruments: Tuba
Genre: RomanticThis material was previously for rent and you had to return the parts and score to us after the performance. Now we sell it for the same price. This means you get to keep the material and can perform it as many times as you like. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $11.00
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Concerto for tuba (arr. tuba and brass band)
Composer: Baadsvik, Øystein Arranger: Baadsvik, Øystein
Instrumentation: Solo and Brass band Instruments: Tuba
Genre: ContemporaryThis is Øystein Baadsvik's first major work for tuba and orchestra. Arrangement for tuba solo and British style brass band by the composer.
"Simply gorgeous"
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Dan Morgan - Musicweb InternationalUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $170.00
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Quartetto Variato on Rigoletto
Composer: Cappelli, Giuseppe Arranger: Crawford, Elizabeth
Instrumentation: Solo and Piano Instruments: Eb Clarinet, Piano
Genre: Romanticwith Piano
Quartetto variato is Giuseppe Cappelli’s operatic fantasy for E-flat clarinet and piano based on Verdi’s (1813-1901) quartet from Act III of Rigoletto. Adapted from Victor Hugo’s (1802-1885) Le Roi S’amuse, the three-act lyric opera was set to a libretto by Franceso Maria Piave (1810-1876). Rigoletto’s first performance took place on March 11, 1851, at the Teatro La Fenice in Venice.
The opera, set in 16th-century Mantua, Italy, is the story of the court clown, Rigoletto, who is in service to the Duke of Mantua, a known womanizer. Act I opens with a party at the home of the Duke, who makes flirtatious advances towards the daughter of his guest, Count Monterone. Rigoletto’s mocking infuriates the Count, who swears a curse will befall him. This makes Rigoletto fearful, because unbeknownst to anyone, he has a daughter, Gilda. When Rigoletto finds out that his daughter has succumbed to the passes of the Duke, he hires Sparafucile, a tavern owner, to kill him. The famous quartet from which Cappelli wrote this variation occurs in Act III, where Verdi set the stage at Sparafucile’s tavern. Inside, the Duke, who has been lured there by Sparafucile’s sister, Maddalena, swears his love for her. The Duke is unaware that Rigoletto and Gilda are watching from outside. When Rigoletto feels his daughter has seen enough, he takes her home and makes her dress as a boy to safeguard her.
Even though Sparafucile has received half of Rigoletto’s money to kill the Duke, Maddalena has become fascinated with the Duke and pleads for his life. They strike a deal that the first man to enter the tavern will be Sparafucile’s victim. Drawn to the place where she believes her lover is, Gilda goes to the tavern and hears the siblings plotting. Determined to save the Duke, Gilda sacrifices herself and enters the tavern. There is a cry and then silence. Sparafucile puts Gilda’s body in a bag and takes it to Rigoletto to receive the rest of his payment. As Rigoletto prepares to toss the bag in the river, he hears the Duke singing La donna è mobile and realizes he has been duped. He opens the bag to see the body of his dying daughter. Count Monterone’s curse has been fulfilled.
Quartetto variato begins with music from the orchestral tutti of Act III, Scene 1, La donna è mobile, the opera?s most famous aria, sung by the Duke. At measure 11, the E-flat clarinet presents the Duke’s aria, Bella figlia dell’amor, which, in the opera, occurs at the Andante, half way through No. 12, marked Quartetto. Cappelli skillfully assigns the vocal lines of Verdi’s quartet to the E-flat clarinet and inner voices of the piano. For instance, in measures 28-34, the clarinet represents Gilda’s voice, while the piano embodies Magdalene’s role in measures 27-31. Rigoletto’s voice appears in the piano at measure 33, with Magdalene appearing again at measure 34. All the voices are together at measure 35, with the role of the Duke (played by the clarinet) taking over in measure 36. In measure 44, the clarinet and piano join forces to perform the famous quartet. A return to the Duke’s La donna è mobile, at the Allegretto ends the main part of the work. Cappelli borrows music of the violin solo from Verdi’s introduction to No. 12 before concluding the piece with original music at the Allegretto comodo (m. 96).
Tempo markings are taken from the original 1914 score (Ricordi, Milan), now published by Dover, and are for reference only. Cappelli’s composition is void of tempo indications.
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