Search results for: 'joshua hauser sailor's song'

with Piano Learn More

with Chamber Orchestra Learn More

with Piano Learn More

Tpt, Hn, Tbn and Tba: 1. Fanfare de stile canon Learn More

"Journeys" for flute and string quartet by Roger C. Vogel. The 5 movements depict moods that one can have while traveling: On the Road suggests the enthusiasm and high spirits that are found when one begins a long anticipated trip., Day Trip represents the joy of a pleasure trip that is made for an afternoon. Cross Country on Route 66 is suggestive of motoring on this fabled highway, Promenade represents a leisurely walk in a public place, and Jaunt is a short and energetic excursion for pleasure. Score and parts included. (15’) Learn More

Reflects the vivid contrasts of winter - from the soft winds that accompany falling snow, to the sharp winds that chill to the bone. Recorded on the CD Sunlight and Shadows by the University of Georgia Woodwind Quartet Learn More

Based on Lewis Carroll’s well-known poem from Through the Looking Glass (1871) this entertaining composition transforms the familiar words from their Victorian and child-like context to a very different sound world primarily influenced by jazz. Finalist in the 1996 Newly-Published Music Competition of the National Flute Association. Learn More

Evokes images of the craggy, rock bound coast of New England and the timeless lore of the North Atlantic. Although the instrumentation suggests a Baroque continuo sound, the musical material is exclusively 20th Century. Learn More

Evokes images of the craggy, rock bound coast of New England and the timeless lore of the North Atlantic. Although the instrumentation suggests a Baroque continuo sound, the musical material is exclusively 20th Century. Learn More

REFLECTIVE JOURNEY for horn and percussion quartet by Howard J. Buss is dedicated to hornist Andrew Pelletier and percussionist Roger Schupp. The musical thrust of this colorful work is analogous to a spiritual voyage one may experience while dealing with a major crisis. The sections of the composition exude much contrast and transverse a wide range of moods - from the hauntingly pensive, to tender lyricism, to jubilation. Learn More

Dedicated to Patrick Nyren, in three movements, Boldly, Introspective, and Go!, this colorful work demonstrates the incredible expressive range and technical capabilities of the instruments. The percussion instrument setup is designed so that it can be performed by one or two players. Ventures received its premiere performance on November 2, 2014 by Patrick Nyren, euphonium, and percussionists Daniel Lyons and Kenny Goss at New Mexico State University in Las Cruces. It is a "must" for all serious euphonium players! Learn More

Violin, Alto Saxophone and Piano: On the Wing for violin, alto sax and piano by Roger C. Vogel was written in 2013 and revised in 2017 for Rachel and Stephen Fischer. It was inspired by the thrill of flight, as well as that of being in motion, traveling, and being active. The intense energy of taking off, soaring, gliding, and diving is depicted in its musical gestures. The opening begins with ascending motives and progresses through contrasting sections that represent different aspects and emotions that are experienced in flight. As the work progresses these motives recur in various ways, with some surprises, until the final exhilarating coda. Cast in one movement of about 15 minutes in length, the violin, alto saxophone, and piano compete, complement, intertwine, and reflect on the musical ideas equally. Learn More

"Festivities for flute, horn and piano by Roger C. Vogel was written in 2018 for The Kitchen Sync trio. Celebrations, amusements, festivals, and other joyful occasions are events that enrich our lives. This work is inspired by five such delightful occasions: the merrymaking of a Carnival, the pleasant respite of an Interlude, the boisterous play of a Romp, the pleasure of a leisurely evening Promenade, and the capriciousness of an Escapade. Score and parts included. " Learn More

"Concerto for Marimba and Percussion Ensemble" by Howard J. Buss was composed in 2017 and is dedicated to Robert McCormick. The percussion ensemble uses 4 players. This work is comprised of 3 continuous, unnamed movements that follow a haunting and somewhat mysterious introduction. References to the opening phrases of the introduction are made throughout the composition. The first movement is in two main parts: The first resembles a chain of joyous episodes, each flowing into the next as the musical narrative unfolds. This gives way to a series of passages that become increasingly developmental. Obvious references to the introduction are interspersed with elements of the first section as well as new material. The second movement is in a lively 6/8. It is in ternary form features a substantial marimba cadenza in the central section. The finale movement revives the joyful character of the first and includes a short intense passage influenced by jazz before building to a rousing finish. (15’) Grade V. Learn More

"Musically depicts the character and exploits of Washington Irving’s dashing prankster in The Legend of Sleepy Hollow. The musical ensemble consists of 4 Bb trumpets (an optional Eb part is included for trumpet 1), one French horn, 3 tenor trombones, one bass trombone and tuba. This entertaining composition is in 5 movements, the first 2 are interconnected: Overture, The Smoke Out, The Schoolhouse Caper, Ichabod’s Romance, and Night Encounter. Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of muted brass, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful solo. The intense final movement, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise." Learn More

"Brom Bones" for clarinet choir (1 Eb, 3 Bb, 2 Eb Alto, 2 Bb Bass, and 1 Bb Contrabass) musically depicts the character and exploits of Washington Irving’s dashing prankster in "The Legend of Sleepy Hollow." The work is in 5 movements: Following the energetic and heroic "Overture", in "The Smoke Out" tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, "The Schoolhouse Caper," combines very aggressive and topsy-turvy passages with humorous, plodding interjections. "Ichabod’s Romance" begins as an enchanting unaccompanied ballad, which is abruptly disturbed by a cacophony of raucous clarinets, suggesting the whining of Brom’s mocking dog. Reverent hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful bass clarinet solo. The intense final movement, "Night Encounter," depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise. Learn More

"This riveting “tour de force” musically depicts the character and exploits of Washington Irving’s dashing prankster, Brom Bones, in The Legend of Sleepy Hollow. The musical ensemble consists of 2 trombone quartets, each comprised of three tenors and one bass. The work is cast in 5 movements, the first two are interconnected: I. Overture (2:00) II. The Smoke Out (2.40) III. The Schoolhouse Caper (2:00) IV. Ichabod’s Romance (3:40) V. Night Encounter (3:10) Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of brassy muted trombones, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful trombone solo. The intense final movement, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise. This is a “must” for the advanced college ensemble. Score & parts included." Learn More

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The title refers to the mental, physical, and emotional traits of a person as manifested by peculiarities of feeling, temper, action, etc. Learn More

The title refers to the mental, physical, and emotional traits of a person as manifested by peculiarities of feeling, temper, action, etc. Learn More