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O Come, O Come, Emmanuel
Composer: Traditional Arranger: Bell, Ken
Instrumentation: Solo and Piano Instruments: French Horn, Piano
Genre: ChristmasArranged for Horn and Piano/ Organ, this famous Christmas Hymn is based on 15th century plainchant. In four contrasting verses, it is faithful to the plainchant and the traditional harmony. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $12.00
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Festive & Commorative Music (3 Mvts.)
Composer: Brahms, Johannes Arranger: Warren, Charles
Instrumentation: Ensemble Instruments: Euphonium, Tuba
Genre: Romantic3 Euph and 5 Tbas Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $24.00
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Reflections on the "Last Post"
Composer: Buss, Howard J.
Instrumentation: Solo and Wind Band Instruments: Tuba
Genre: Contemporary"Reflections on the Last Post" for tuba and band (or wind ensemble) by Howard J. Buss was inspired by The Last Post Ceremony at the Menin Gate Memorial in Ypres, Belgium. It honors the thousands of soldiers who died to free Belgium from the Germans in WWI. The Last Post Ceremony was first held on July 1928 and has been performed every night since November 11, 1929 at the Menin Gate Memorial, except during the years of the German occupation of Ypres from May 20, 1940 to September 6, 1944. During the occupation the ceremony was continued at the Brookwood Military Cemetery in Surrey, England. The composition develops the “Last Post” bugle call, which is performed near the beginning of the ceremony. The work also has stirring sections signifying the youthfulness and vitality of those who fought and died on the Ypres battlefields This work was winner of the Composition Competition of the U.S. Army Band’s 2019 Tuba-Euphonium Workshop and will be used for the workshop’s 2020 performers’ competition. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $100.00
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Vega of Lyra "The Harp Star"
Composer: Buss, Howard J.
Instrumentation: Solo Instruments: Harp
Genre: ContemporaryVEGA OF LYRA “The Harp Star” for solo harp showcases both the agility and the beautiful, sonorous tone of the solo harp. It is dedicated to the renowned Italian harpist, Paola Devoti. The title refers to Vega, also known as Alpha Lyrae, the brightest star in the constellation “Lyra the Harp.” In Greek mythology, Vega’s constellation is said to be the harp played by Orpheus. The title has a dual meaning as it also refers to the person playing the composition. The character of Vega of Lyra ranges from lyric tenderness to powerful, and sometimes fiery technical displays. The music explores a wide array of sonic atmospheres and moods. The sophisticated music language coupled with soaring melodies and intriguing rhythms makes this composition an accessible concert work as well as an impressive contest piece. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $16.00
To $32.00
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Reflections on the Last Post
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano; "Reflections on the Last Post" for tuba and piano by Howard J. Buss was inspired by The Last Post Ceremony at the Menin Gate Memorial in Ypres, Belgium. It honors the thousands of soldiers who died to free Belgium from the Germans in WWI. The Last Post Ceremony was first held on July 1928 and has been performed every night since November 11, 1929 at the Menin Gate Memorial, except during the years of the German occupation of Ypres from May 20, 1940 to September 6, 1944. During the occupation the ceremony was continued at the Brookwood Military Cemetery in Surrey, England. The composition develops the “Last Post” bugle call, which is performed near the beginning of the ceremony. The work also has stirring sections signifying the youthfulness and vitality of those who fought and died on the Ypres battlefields This work was winner of the Composition Competition of the U.S. Army Band’s 2019 Tuba-Euphonium Workshop and will be used for the workshop’s 2020 performers’ competition. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
To $40.00
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Sonatina for Euphonium
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano; 4 movement; commissioned by Cimarron Music Press
Commissioned by Cimarron Music Press
More pieces from Charles Ingram found here
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
To $36.00
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Hymns That Never Die
Composer: Various Arranger: Cox, Richard H.
Instrumentation: Duet and Piano Instruments: Piano, Trumpet
Genre: HymnPerfect for any church service. These arrangements ae for 2 Trumpets and Piano:
I. Blest Be The Tie That Binds – Hans G. Naegeli
II. Come, Thou Fount of Every Blessing – John Wyeth
III. My Faith Looks Up To Thee – Lowell Mason
IV. When I Survey The Wondrous Cross – Hamburg/Lowell Mason
Learn MoreAs low as $18.00
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The Wonderful Time With You
Composer: Liang, Wan-Yun
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: ContemporaryUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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The Slaughter of the Innocents
Composer: York, Barbara
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Contemporarywith Piano; Written for Austin Seybert
Holy Bible, New English Version: Matthew 2: 16-18
Herod Kills the Children
16 Then Herod, when he saw that he had been tricked by the wise men, became furious, and he sent and killed all the male children in Bethlehem and in all that region who were two years old or under, according to the time that he had ascertained from the wise men.
17 a Then was fulfilled what was spoken by the prophet Jeremiah:
18 b“A voice was heard in Ramah,
weeping and loud lamentation,
Rachel weeping for her children;
she refused to be comforted, because they care no more.”
USA version
Then the President became furious and worried about the potential challenges to his power and authority. He separated all the immigrant children from their parents, put them in cages, suppressed their documentation and allowed them to become malnourished and ill without proper food and care. Some died, many became despondent and cried repeatedly for their mothers. All suffered and their parents did not know where or how they were.
Barbara York, 2019
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Sonata
Composer: Zegiel, Evan
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
This work was composed largely during the summer of 2017, after a few attempts at writing shorter pieces for tuba and piano earlier in the year. It is not a programmatic work, as many of my works often are. Rather, it is my attempt at contributing to the tuba repertoire in terms “absolute music,” as Brahms so famously called it.
I. This movement is rather upbeat, and it is simple in terms of its harmonic content. There are a few moments of deviation, and interruptions of the melody, but performers and audiences should find it to be palatable overall. The beginning of this movement subjects a clear theme to a few harmonic shifts and brief developmental moments. The turbulent middle section of the movement was inspired by the Sturm und Drang style popularized by Haydn and Hozart in the Classical period. The end of the movement sees the return of the theme rather abruptly and confidently, and finishes triumphantly.
II. Bach has always been a large influence on me, as he has undoubtedly been to every other composer after him. This movement is somewhat of my homage to him. The melodic content is less theme-focused than the prior movement, allowing for longer stretches of melismatic writing in the solo part. The accompaniment in this movement is thicker than that of the first movement, and requires more pedaling, contributing a darker and heavier tone to the movement as a whole.
III. This final movement draws heavily on my love of French music, especially that of Bozza’s music for brass instruments. The movement begins with a dance like quality, and it is very jovial. The melodies then begin to stretch out, growing more dissonant as the movement progresses, until finally dissolving into a rather haunting section involving disparate notes in the piano and tone clusters. This section demands more of the soloist in terms of technique than any other movement of the piece. Eventually, after a brief cadenza, the main thematic material returns to finish out the movement “with a bang!”
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Turbo
Composer: Hadden, John
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano
Too often compositions are written with a certain narrow-mindedness. Composers sometimes choose to write a piece for themselves, sometimes for an audience, and sometimes for the intended performer. "Turbo" takes a multifaceted approach in that the work is intended to satisfy my own compositional desires while providing an entertaining challenge for the performers and a thrill ride for the audience.
After the piano sets the tone for what will make up most of the piece, the solo euphonimist enters with long tones, leaping around in range and experimenting with timbre. After the personality of the piece is established, the soloist now explores the groundwork which the opening pianist has set. While exploring harmonic possibilities just slightly beyond the "norm," "Turbo" also experiments with several rhythmic complexities, adding up to an interesting piece for all involved. Following a cadenza composed through expanding prior themes, the euphonium and piano both finish with a vigorous coda that ends with an ultimate high B-flat.
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Concertino
Composer: Hadden, John
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano (also available with String Ensemble accompaniment);
Concertino was written during the same time I was finishing Pirate Memories which is a work for Solo Tuba and Wind Ensemble. This work explores a different soundscape for the tuba, taking advantage of the ensemble that Koetsier and Plog have so expertly utilized: solo tuba and string orchestra. Like their works, Concertino has an effective piano reduction; however, the work truly shines with the utilization of the strings.
Although there are no extended techniques, the different timbres between arco and pizzicato, basses up to violins, and strings to tuba create a unique sound that audience members are not graced with often enough. There is an extraordinary blend between the majestic bass tuba sound and this 5-part scoring for strings. Although the piece has its moments of comedic intrigue, all 3 movements are written with the intention of grabbing serious attention from the performer as well as the listener. Especially in the fast paced and technically challenging final movement, the soloist has the opportunity to combine artistic quality with their most impressive mechanical abilities.
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Two Arias
Composer: Händel, Georg Friedrich Arranger: Lewis, Steve
Instrumentation: Solo and Piano Instruments: French Horn, Piano
Genre: BaroqueUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Old English Love Songs
Composer: Various Arranger: Bell, Ken
Instrumentation: Trio Instruments: French Horn
Genre: RenaissanceArranged for French Horn trio, this set includes:
1. How Merrily We Live - East2. Gush Forth, My Tears - Holborne
3. Late in My Rash Accounting - Weelkes
4. If My Complaints - Dowland
5. Though Philomela Lost Her Love - Morley
6. As Fair as Morn - Wilbye
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Suite from "Rosamunde"
Composer: Schubert, Franz Arranger: Eden, Lawrence David
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and TubaA very melodic setting of the Incidental Music composed by Franz Schubert. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Holiday Treats, Volume 2
Composer: Various Arranger: Buttery, Gary
Instrumentation: Quartet Instruments: French Horn
Genre: ChristmasGreensleeves; English Folk Christmas (medley of Gloucestershire Wassail; God Rest Ye Merry Gentlemen; All That You Are to Mirth Inclined; King Herod and the Cock; Here We Come A-Wassailing) Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Reflections on the "Last Post"
Composer: Buss, Howard J.
Instrumentation: Solo and Wind Band Instruments: Clarinet
Genre: Contemporary"Reflections on the Last Post" for clarinet and band (or wind ensemble) by Howard J. Buss was inspired by The Last Post Ceremony at the Menin Gate Memorial in Ypres, Belgium. It honors the thousands of soldiers who died to free Belgium from the Germans in WWI. The Last Post Ceremony was first held on July 1928 and has been performed every night since November 11, 1929 at the Menin Gate Memorial, except during the years of the German occupation of Ypres from May 20, 1940 to September 6, 1944. During the occupation the ceremony was continued at the Brookwood Military Cemetery in Surrey, England. The composition develops the “Last Post” bugle call, which is performed near the beginning of the ceremony. The work also has stirring sections signifying the youthfulness and vitality of those who fought and died on the Ypres battlefields. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $100.00
To $200.00
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Where Now Rusts the Iron?
Composer: Buss, Howard J.
Instrumentation: Solo and Mixed ensemble Instruments: Cello, Flute, Percussion, Voice
Genre: ContemporaryA dramatic tribute to the composer’s grandfather who, like many ironworkers in his day, worked under brutal conditions with the dream of making life better for future generations. “A moving work touching our communal soul.” Percussion distribution: Perc. 1: Timpani (4), orchestra bells, tubular bells (shared with perc. 2) and finger cymbals; Perc. 2: two anvils (metal pipes may be substituted), and tubular bells (shared with perc. 1: Perc. 3: Xylophone, and suspended cymbal; Perc. 4: Vibes and suspended cymbal; Perc. 5: marimba; Perc. 6: two suspended cymbals, tam-tam, wind chimes and bell tree. Learn MoreFrom $48.00
To $96.00
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Where Now Rusts the Iron?
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Piano, Voice
Genre: ContemporaryA dramatic tribute to the composer’s grandfather who, like many ironworkers in his day, worked under brutal conditions with the dream of making life better for future generations. “A moving work touching our communal soul.” Learn MoreFrom $15.00
To $30.00
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Dream Visions
Composer: Jordan, Scott
Instrumentation: Quartet Instruments: Alto Sax, Baritone Sax, Soprano Sax, Tenor Sax
Genre: ContemporaryIn 2 movements evocative of nighttime inspired moods. The Turning Mind is a colorful chaconne that commences with ominous chords and builds to a brisk climax. Disquietude is up-tempo, fiercely rhythmic, and maintains a state of excitement and suspense throughout. Learn MoreFrom $20.00
To $40.00