Search results for: 'joshua hauser sailor's song'
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- Songs of the British Isles - Tuba Quartett
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Flute/Alto Flute and Oboe/English Horn: Written for flutist Nora lee garcia and oboist Frances Colon. A charming, vivid duo for performers who like substantial, yet audience-friendly music. It is in 3 movements: Zephyrs. Whispers Amid the Pines, and Harbinger of the Storm. Learn More - Currents
From $46.00
To $92.00
CURRENTS for 4 percussion is divided into 4 main sections and explores various perspectives of the principles of timbral and metric modulation. Timbral and metric “currents” in the music interact and blend in a manner analogous to currents in physical mediums. In addition, there is an element of implied theater. As the work begins, 3 percussionists are conducted in the traditional manner by the 4th. Next to the conductor, clearly visible in front of the main percussion battery, is a wooden board bridging two saw horses and a carpenter’s hand saw. These sit idly through much of the work, long enough to arouse curiosity in the audience as to the role of these prominently displayed construction objects. About midway through the composition the conductor lifts the saw overhead and strikes it. This serves as a cutoff gesture and also establishes that the saw is an “extension” of the conductor’s baton. The saw remains idle until the beginning of the fourth division of the work. During the final section it is used simultaneously as a “baton” and a percussion instrument by the director, who saws through wood, scrapes the saw’s teeth, slaps it on the board, strikes it with a mallet, and waves it in the air. At the very end of the work the conductor sets down the saw and walks behind the players to play the tam-tam. In doing so, he continues to direct the ensemble through the explosive conclusion. Percussion distribution: Perc. 1: 2 anvils (metal pipes may be substituted), 2 cow bells, snare drum, 2 suspended cymbals, tambourine, timpani (1), xylophone & wind chimes; Perc. 2: hi-hat, maracas, 2 suspended cymbals, triangle, large tam-tam, 4 tom toms, and vibraphone; Perc. 3: Bass drum, guiro, marimba, 2 suspended cymbals, temple blocks & triangle; Perc. 4 (conductor): Carpenter’s saw, a 2x2” wooden board & 2 saw horses. “A memorable combination of percussive artistry and theatrical class “ - The Washington Post. Learn More - Saxy
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"Saxy" for tenor sax and piano by Howard J. Buss was written for saxophonist Barry McGinnis and premiered at the 2018 North American Saxophone Alliance Conference. Saxy is in two movements: Moody and Slap-Happy. The second employs some tastefully applied special effects in the sax part such as slap, smack, and wood block slap tonguing; growls, key clicks, and pitch bending. Score and part included. Learn More - Saint Francis and the Animals
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A tribute to St. Francis of Assisi, the venerated Catholic friar, preacher, founder of several Orders, and lover of animals and the environment. In 2 programmatic movements, The Birds, and The Wolf, this work musically portrays two of the many well-known stories of how Saint Francis communicated with animals. Saint Francis and the Animals was commissioned by Kathleen Jones for ClarinetFest 2013 in Assisi, Italy. Finalist in the 2014 Newly-Published Music Competition of the National Flute Association. Learn More - There is a Season
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The titles of the 2 movements, A Time of War, and A Time of Peace, as well as that of the larger work are derived from Ecclesiastes 3 in the Old Testament of the Bible. This striking work was written during the Second Iraq War is loosely programmatic. The 1st movement is tense and has militaristic character with dramatic proclamations culminating in an exciting solo passage for the percussion. The second movement begins with an atmosphere of apprehension that gives way to a spirited dance-like section. Eventually the sonic disposition becomes reflective, but during the clarinet cadenza the mood brightens and returns to the animated and joyous mood exhibited earlier in the movement. Learn More - Seaside Reflections
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with Piano: This beautiful work captures the serenity of musing by the sea. On the preface page to the score is printed the following free verse by the composer. It is suggested that the poem be narrated immediately before the performance and/or printed in the program notes to set the mood for the music: “On the shore of eternity swirling currents of liquid chaos gather for and disperse as foam. As rock wears to sand all dissonance transforms to serenity. Time presses no longer.” ©Brixton Publications Learn More - Time Capsule
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Flute and Trumpet: The first movement, Daybreak, has a frolicking, optimistic character. Chorale breaks with the traditional structure of the chorale in that each phrase gets a measure longer. The harmonies of the second movement contain some spicy dissonances as well. Rendezvous, is in a lilting 6/8 and really "works up a lather" as it progresses to an exciting climax. Homeward Bound, begins with a fanfare-like passage that gives way to a spirited dance characterized by an intriguing interplay between the instruments. Learn More - Dances and Interludes
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Dances and Interludes for solo guitar by Howard J. Buss was commissioned by guitarist, Robert Phillips. It features three dance-like sections preceded by a soulful introduction and separated by developmental interludes. The composer was inspired by styles from 3 countries: the songo from Cuba, bossa nova from Brazil, and rumba flamenco from Spain. Traditionally, the songo combines elements of the folkloric rumba with popular Cuban dance music. The Latin beat of the songo is specifically designed for the drum set. Although drums are not used in this piece, the first dance, ala songo, captures the choppy, energetic flavor of the Cuban model. The interlude that follows transitions to the mood for the second dance, ala bossa nova. This section has the smoother, more relaxed quality of this popular Brazilian style. It gradually gives way to the final dance, ala rumba flamenco. The energetic strumming patterns, colorful effects with muted strings, percussive interjections with the palm of the hand and fingertips capture the spirit of this exciting Andalusian genre. Learn More - Village Scenes
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A charming and colorful work inspired by the composer’s childhood memories of the village of Old Zionsville in Lehigh County, Pennsylvania. The music is sophisticated, yet accessible, and makes a wonderful recital feature. The 3 picturesque movements are titled: I. Playground Games, The Church By the Spring, and The Arrival of Winter. Learn More - Serendipity Suite
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"Serendipity Suite" for trumpet (Eb, Bb, and Bb piccolo), trombone, and piano by Howard J. Buss was composed in the late summer of 2016 for trumpeter Brittany Hendricks and trombonist Bruce Faske. The work is in 3 movements: I. Auspicious Moon (4’25”) II. Slow Dance (4’00”) III. Downtown Excursion (4’15”) The total duration without pauses between movements is 12’40”. The composition is designed so that the trumpeter uses an Eb trumpet in the first movement, a Bb trumpet in the second, and a Bb piccolo trumpet in the third. The composer also created an alternative trumpet part so that it can be performed exclusively on a Bb trumpet. " Learn More - Legacy of Ancient Seas
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with Piano: A picturesque, colorful sonatina inspired by the dramatic desert landscapes of the American West. It is written in 4 movements: Pinnacles and Spires, The Ponderosa Forest, Flight of the Raven, and Salt Lake City Escapade. Commissioned for John Masserini and ClarinetFest 2003. On the Maryland Contest List Level 5 any 3 movements. Learn More - Scenes from the Holy Land
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Flute and Percussion: "Commissioned for the McCormick Duo and the 30th Anniversary of the National Flute Association. Percussion instruments (one player) include: Marimba, suspended cymbal, tambourine, bongos, wood block, wind chimes, and agogo bells. “The opening section, ‘Masada’ presents angular solos against percussion accents, with ascending legato passages for the flute. The music turns more florid and Middle-Eastern in style before a peaceful coda. ‘Storm on Mount Sinai’ offers sharply rhythmic music accented with tambourine and a more febrile bazaar-like flute writing. ‘The Flock by the Sea of Galilee’ contains an oddly memorable five-note percussion motif under a lovely bucolic flute theme. ‘The Road to Jerusalem’ makes a haunting finale with elaborate passages against pulsating percussion. Scenes from the Holy Land is an effective and colorful work with deftly varied music and tackled by the musicians with skill and understated virtuosity Buss’ intimate style requires. It makes its effects with point and economy and would be a boon to flute and percussion duos searching for program material.” - The Gramophone, April 2005. Recorded on the Capstone Records ""Howard J. Buss: Modern Times""" Learn More - Santiago Legend
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unaccompanied: This tribute to the world-renown Chilean clarinetist and instrument maker, Luis Rossi, is designed to showcase the expressive and technical capabilities of the distinct registers of the clarinet. Beautiful lyrical lines contrast with rhythmic and dramatic passages. If you are looking for an impressive unaccompanied piece for an important recital, audition, or just for the fun of it- this is it! Learn More - Three Sackbuteers Enter Valhalla, The
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"The Three Sackbuteers Enter Valhalla" for trombone trio by Howard J. Buss was named winner of the 2018 American Trombone Workshop’s National Composition Competition sponsored by the U. S. Army Band “Pershing’s Own.” It is a fantasy piece in which the composer imagines the entrance of three sackbut players into the enormous hall of Valhalla. An improbable collage of specious ideas and historical anachronisms combine in dream-like manner and are embedded in the musical tapestry of this work. The sophisticated musical language of "The Three Sackbuteers Enter Valhalla" combines with the programmatic fantasy implications and audience participation to create a rousing concert feature. For trios doing outreach concerts in the schools, it affords the opportunity to discuss the history of the trombone in a way that is fun and sure to engage the students. (6’30”) Grade V. Learn More - Seaside Reflections
From $18.00
To $36.00
with Harp: This beautiful work captures the serenity of musing by the sea. On the preface page to the score is printed the following free verse by the composer. It is suggested that the poem be narrated immediately before the performance and/or printed in the program notes to set the mood for the music: “On the shore of eternity swirling currents of liquid chaos gather for and disperse as foam. As rock wears to sand all dissonance transforms to serenity. Time presses no longer.” ©Brixton Publications Learn More - Seaside Reflections
From $18.00
To $36.00
with Harp: This beautiful work captures the serenity of musing by the sea. On the preface page to the score is printed the following free verse by the composer. It is suggested that the poem be narrated immediately before the performance and/or printed in the program notes to set the mood for the music: “On the shore of eternity swirling currents of liquid chaos gather for and disperse as foam. As rock wears to sand all dissonance transforms to serenity. Time presses no longer.” ©Brixton Publications Learn More - Seaside Reflections
From $18.00
To $36.00
with Piano: This beautiful work captures the serenity of musing by the sea. On the preface page to the score is printed the following free verse by the composer. It is suggested that the poem be narrated immediately before the performance and/or printed in the program notes to set the mood for the music: “On the shore of eternity swirling currents of liquid chaos gather for and disperse as foam. As rock wears to sand all dissonance transforms to serenity. Time presses no longer.” ©Brixton Publications Learn More - Seaside Reflections
From $18.00
To $36.00
with Piano: This beautiful work captures the serenity of musing by the sea. On the preface page to the score is printed the following free verse by the composer. It is suggested that the poem be narrated immediately before the performance and/or printed in the program notes to set the mood for the music: “On the shore of eternity swirling currents of liquid chaos gather for and disperse as foam. As rock wears to sand all dissonance transforms to serenity. Time presses no longer.” ©Brixton Publications Learn More - Dreams from the Shadows
From $20.00
To $2,020.00
DREAMS FROM THE SHADOWS for horn and vibraphone* by Howard J. Buss explores a wide range of emotional states. From its mystical, contemplative opening, to majestic proclamations, to jubilant sections with a dance-like character, the music suggests a dream-like collage of sonic atmospheres. Soaring melodies and intriguing rhythms coupled with the beautiful sonority of the horn and vibraphone ensemble, make this an accessible, audience-friendly composition. *An electronic keyboard (emulating the sound of a vibraphone) may be used as a substitute for the vibes. The publication includes a score, vibraphone part, and horn part. DREAMS FROM THE SHADOWS is dedicated to hornist Gene Berger and percussionist Braham Dembar. Learn More - Dream Sequence
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with 4 Percussion: Inspired by Carl Sagan’s poetic observation about dreams: “Late at night, when it is very still and the obligatory dreams have been dreamt, the gazelles and dragons begin to stir.” Subdued, mystical sections contrast with energetic and rhythmic episodes in a manner resembling a progression of dreams. Percussion distribution: Percussion 1: Marimba, celesta (muted orchestra bells may be substituted), suspended cymbal, claves, and 2 cow bells; Percussion 2: Vibraphone, maracas, bass drum and temple blocks; Percussion 3: Orchestra bells, guiro, and 2 suspended cymbals; Percussion 4: Chimes (tubular bells), bongos, wind chimes, tam-tam, triangle, and lion roar. “Worth programming and highly recommended.” - Percussive Notes. Learn More