Search results for: 'tuba-euphonium quartet'

ITEC Day 4 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form.

TEP11089/11090 Hexagon - Anne McGinty (Mark Nelson and Matt Tropman)

6 Movements - Euph/Tuba Solo and Duet with Piano

TEP10034 Contrapunctus IX - Bach/Forbes (IN U of Purdue)

Tuba Quartet

TEP10788 Bacchanale from “Samson and Dalila” - Saint-Saens/Wilson (E Carolina U)

Tuba Quartet

TEP10733 A Little Monster Music - Elizabeth Raum (E Carolina U)

Tuba Ensemble

TEP11088 - Prelude in C# Minor - Rachmaninov/Renshaw (Ensemble Subsonique)

Tuba Ensemble

CM2594 White Keys - Zach Collins (Atlas)

Tuba Quartet

CM2860 Ascendance - Ben McMillan (Atlas)

Tuba Quartet

CM1775 Power Play - Frank Gulino (Atlas)

Tuba Quartet

TEP10438 Mars - Holst/Butler (Appalachian State U)

Tuba Ensemble

TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)

Tuba Ensemble and Percussion

CM1481 Night on Bald Mountain - Mussorgsky/Sutherland (Presidio Brass)

Brass Quintet

CM2925 Shenandoah - arr. Scott Sutherland (Presidio Brass)

Brass Quartet and Piano

1. Little David Play

2. Down by the Riverside

3. Go Down Moses

4. Deep River

5. Swing Low, Sweet Chariot

6. Every time I feel the Spirit

7. Amazing Grace

8. Joshua

9. Precious Lord, Take my Hand

10. Hand me down my Silver Tuba

1. Hail to the Chief

2. The Star Spangled Banner

3. America the Beautiful

4. God Bless the Queen (America)

5. 0 Canada

6. Rule, Britannia

7. La Marseillaise

8. Fanfare of Tribute

9. Fanfare D'Sousa

10. Canonic Fanfare

11. Quatres Fanfares Generique

12. Choral Anthem (Now the Day is Over)

1. The Blue Bells of Scotland

2. Blow the Man Down

3. Auld Lang Syne

4. Polly Wolly Doodle

5.  Listen to the Mockingbird

6. Sourwood Mountain

7. Oh Susanna

8. The Last Rose of Summer

9. He's a Jolly Good Fellow

10. Good Night Ladies

Tuba Quartet (EETT)

6 movements:

For Tuba Quartet (EETT), "Quartetto Di Notte" is a one-movement work in the traditional sonata-allegro form with a slow introduction. I originally planned to make this a multi-movement work, but felt the first movement could stand very nicely on its own. The first three notes of the intro forms the motif on which the entire work is based. With the leading tone tendencies of the second note of the motif, this introduction, styled like a fugue, modulates constantly. Ever tonal in its construction, it travels through many keys, starting in C Minor, and at its most extreme point, B Major, before ending up in G Minor. A held G7 chord brings us to the exposition, which also begins in C Minor. The exposition begins with more development of the initial three-note motif, along with two new motifs, two eighth notes and a quarter note; and a quarter, four eights and another quarter note. These permeate the first theme until we change to the key of G Major where a new, more lyrical theme appears. This is played at first, with a simple bass line, but on its repeat, is accompanied by two countermelodies. The development section offers more motivic development, and then at letter G, we have a contrapuntal segment where all of the rhythmic themes are woven together. This brings us to a chorale-like portion where the second theme is developed more fully. The recap ensues, but now we are in the key of Eb Minor. The second theme reappears in the key of Bb Major and a new countermelody to this makes its appearance. After a short pause, we enter into the rousing coda where the piece finishes off in the sprightly key of Eb Major utilizing all of the pieces premier motifs.

with Piano

3 Movements