Search results for: 'tuba-euphonium quartet'

ITEC Day 4 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form.

TEP11089/11090 Hexagon - Anne McGinty (Mark Nelson and Matt Tropman)

6 Movements - Euph/Tuba Solo and Duet with Piano

TEP10034 Contrapunctus IX - Bach/Forbes (IN U of Purdue)

Tuba Quartet

TEP10788 Bacchanale from “Samson and Dalila” - Saint-Saens/Wilson (E Carolina U)

Tuba Quartet

TEP10733 A Little Monster Music - Elizabeth Raum (E Carolina U)

Tuba Ensemble

TEP11088 - Prelude in C# Minor - Rachmaninov/Renshaw (Ensemble Subsonique)

Tuba Ensemble

CM2594 White Keys - Zach Collins (Atlas)

Tuba Quartet

CM2860 Ascendance - Ben McMillan (Atlas)

Tuba Quartet

CM1775 Power Play - Frank Gulino (Atlas)

Tuba Quartet

TEP10438 Mars - Holst/Butler (Appalachian State U)

Tuba Ensemble

TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)

Tuba Ensemble and Percussion

CM1481 Night on Bald Mountain - Mussorgsky/Sutherland (Presidio Brass)

Brass Quintet

CM2925 Shenandoah - arr. Scott Sutherland (Presidio Brass)

Brass Quartet and Piano

ITEC Day 1 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM2675 The Struggle Within - Jonathon Oliver (TN Tech)

Tuba Ensemble

CM0168 Quartet for Brass - Ramsoe/Buttery (The Alchemy Quartet)

Tuba Quartet

CM 0108 Twinkle, Twinkle Little Star - Mozart/Werden (The Alchemy Quartet)

Tuba Quartet

TEP10752 Procession of the Nobles - Rimsky-Korsakov/Butler (KS State U)

Tuba Quartet

CM2875 The Girl with the Flaxen Hair - Debussy/Maxwell (KS State U)

Tuba Quartet

OV1001 Cat Affairs - Anna Baadsvik (Beth Mitchell and Alex Lapins)

Tuba or Euphonium duet and Piano

TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)

Tuba Ensemble and Percussion

BW0494 Suite for Six Tubas - Barton Cummings (UCLA)

Tuba Ensemble

TEP10221 Quatre Chansons (UCLA)

Tuba Quartet

CM2117 Four Paintings by Grant Wood - Barbara York (John Manning)

Tuba and Piano

TEP10697 Concerto per Flicorno Basso - Amilcare Ponchielli (Benjamin Pierce)

Tuba and Piano

OV0713 Vise (Simple Song) - Skomsvoll (Oystein Baadsvik)

Tuba and Piano

ITEC Day 2 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM1347 Suite for Euphonium, and Tuba - Barbara York (Ken Kroesche and Michael Taylor)

Euph., Tuba and Piano

TEP10340 Tubamobile - Thom Ritter George (Southern MS)

Tuba Quartet

CM2369 Evolutions - Ben McMillan (Southern MS)

Tuba Ensemble

CM1651 Sizzl’ - Robert Denham (Aubrey Foard)

Tuba and Piano

EU405 St. James Infirmary - Primrose/Forbes (U of N IA)

Tuba Quartet

CM2736 Convent Window - Joanna Ross Hersey (Joanna Ross Hersey)

Unaccompanied Tuba

EU402 Funeral March of a Marionette - Gounod/Forbes (U of AL)

Tuba Quartet

TEP10878 Nocturno, Op. 7 - Strauss/Fischer (Jeremy McBride)

Tuba and Piano

CM2140 Tubaphonium Overture - Zach Collins (Murray State)

Tuba Ensemble

CM1477 Gravity Dances - Anthony Zilincik (Murray State)

Tuba Quartet

CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)

Tuba Ensemble

TEP10935 Declarations - David Uber (U of TN)

Tuba Ensemble

ITEC Day 5 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form.

TEP11025 Tuba Quartet No. 1 - Kenyon Wilson (Limestone)

Tuba Quartet

CM1911 Finlandia - Sibelius/Roesch (Limestone)

Tuba Ensemble

CM0654 March, from Second Suite in F - Holst/Werden (U of TN at Martin)

Tuba Ensemble

CM1814 Journey Through Space - Anthony O’Toole (U of West GA)

Tuba Ensemble

TEP10890 Andante Cantablie from Sym. 5 - Tchaikovsky/Forbes (U of Miami)

Tuba Ensemble

TEP10883 Dance Suite - Susato/Stevens (U of WI)

Tuba Ensemble

CM2913 Danse Macabre - Saint-Saens/Hosmer (Jacksonville State U)

Tuba Ensemble

CM2915 Perpetuum Mobile - Strauss/Hosmer (Jacksonville State U)

Tuba Ensemble

CM2918 Arrival of the Queen of Sheba - Handel/Hosmer (Jacksonville State U)

Tuba Ensemble

CM2920 The Sorcerer’s Apprentice - Dukas/Hosmer (Jacksonville State U)

Tuba Ensemble

Arranged by David Werden, these 14 marches can be played by any level tuba quartet and are priced at a reduced rate to encourge purchase and performenace of not just one march, but several!

Grab the entire set as a digital download for $50.00 or entire set as a printed copy for $70.00 or individually for $10.00 each.

Independentia – R.B. Hall

Billboard March – John  Klohr

Garry Owen March – Irish traditional

Voice of Guns – Kenneth Alford

El Capitan – John Phillp Sousa

King Cotton - John Phillp Sousa

Carrollton March – Karl King

Men of Ohio – Henry Fillmore

The Screamer – Fred Jewell

The Boys of the Old Brigade – W. Paris Chambers

Chimes of Liberty - Edwin Franko Goldman

The Circus King – C.E. Duble

Dixie Doodle (Dixie and Yankee Doodle) – traditional

Old Comrades – Carl Teike

Four arrangements for Christmas:

I. Good King Wenceslas

II. Masters in this Hall

III. O Tannenbaum

IV. Still, Still, Still

2 Trpts; 2 Tbns or 2Trpts, Horn and Tbn

with Piano 

Serenade, Op.21, for Euphonium and Orchestra was composed in January 1979 as a work commissioned by Henry Charles Smith for the Minnesota Orchestra.   Smith, longtime principal trombonist with the Philadelphia Orchestra before assuming the resident conductor/trombone post with the Minnesota Orchestra, was the soloist on euphonium in the premiere subscription concert performances with the orchestra later that year.  

The Serenade is “an attractive, accessible but by no means insubstantial work” (Michael Anthony review, Minneapolis Star Tribune) for the instrument and orchestra.  The Serenade runs about 15 minutes, is cast in four sections, and there is much of a feeling of a serenade about it, especially in the first two sections.  Even the scherzo-like third section, after several pages of brassy, rhythmically vibrant activity, concludes with a series of slow, upward moving, yearning phrases in the solo instrument.  The work is tonal and in the orchestral version, there is a considerable amount of solo work from various instruments of the orchestra – like the dialogue between the euphonium and the oboe in the “Nocturne” second section.   Forsberg always keeps the solo instrument busy, especially in the festive finale.  But his concern seems to be less with virtuosic display  - or with exploring new techniques for the instrument – than with exploiting the instrument’s lyrical potential.  Although written especially for the euphonium, the work might be performed as well with the tenor trombone.  After editing and a few minor revisions from the 1979 manuscript score, the piece will now be available from Cimarron Music Press in piano, orchestra and wind ensemble accompaniment versions.

CWF, April 28, 2019

with Piano

This Concerto for Euphonium and Wind Band was composed for one of my former teachers and fellow euphonist Dr. Gail Robertson. For this work I based the material around pitches corresponding to each letter of her first name: G = G natural; A = A natural; I = Ionian, or the current key’s tonic, C natural; L = Lydian, or the fourth degree of the current key, F natural. Each movement is derived in some way from this figure.

The work begins with an energetic fanfare and a taste of the second theme. The euphonium enters with similar pomp and dazzling virtuosity that settles into more heroic statements. Next, the euphonium soars over thick ensemble textures in a tender reflection. Finally, the soloist charges forth in a ferocious display of dexterity and power.

The Concerto premiered April 21^st, 2016 by Dr. Gail Robertson (euphonium) and the Little Rock Wind Symphony - Israel Getzov, conductor.

with Piano (band version available soon)

Ms. Wan-Yun Liang is a young Taiwanese woman composer, whose works mostly focus on winds chamber music as well as ensemble works. The Euphonium Concerto, Ms. Liang’s latest composition, was commissioned by Shih-Yao Huang, a Taiwanese Baritone player, and the winds ensemble of National Chung Hsing University, Taiwan. This Concerto contains three movements. The first movement is in a sonata form with two contrasting style melodies. The second movement is titled “Rondo” and the main theme is played by the Alto Saxophone player. In the middle section of this movement, the music turns into a charming waltz and which leads goes back to the beginning section. The third movement is a fast dancing movement with a slow introduction. As a brass player herself, Ms. Liang is willing to give the solo part many fast tonguing passages as well lyrical melodies to demonstrate the specific characteristics of this instrument. This work was premiered in July 7^th, 2018, by Shih-Yao Huang and the winds ensemble of National Chung Hsing University, Taiwan, under the direction of Chwan-Yaw Foo.             

for Euphonium solo and Universal parts:

Treble in C, Db and Eb

Sopranos 1-2 in C and Bb

Soprano 3 in C, Bb and Eb

Mezzos in C, Bb and Eb

Alto 1 in C, Eb and F

Alto 2 in C, B, Eb and F

Tenors in C and Bb

Basses in C, Bb and Eb

Percussion

13 parts + solo