Search results for: 'tuba-euphonium quartet'

These horn quartets were selected from forty-two "anonymous" quartets housed in the Albertina collection of the Austrian National Library, Vienna. One can date these works from the middle of the nineteenth century.

These horn quartets were selected from forty-two "anonymous" quartets housed in the Albertina collection of the Austrian National Library, Vienna. One can date these works from the middle of the nineteenth century.

These horn quartets were selected from forty-two "anonymous" quartets housed in the Albertina collection of the Austrian National Library, Vienna. One can date these works from the middle of the nineteenth century.

These horn quartets were selected from forty-two "anonymous" quartets housed in the Albertina collection of the Austrian National Library, Vienna. One can date these works from the middle of the nineteenth century.

In three movenents, this is a great challenge for any college level Horn Quartet:

I. Alpha

II. Beta

III. Gamma

One afternoon while working my summer job at the Air Force Armament Museum in Eglin, Florida, I was asked to dust off some artifacts in display cases. On the last display on the first half of the building I was stopped by one of my co-workers. He pointed out that this final artifact, a navigation tool, was hazardous because of the radioactive radium paint. This was a fact I was briefed on weeks earlier but had slipped my mind.

“There are three types of radiation”, he explained, “Alpha, which is pretty calm; Beta, which is a little gnarly but still alright. Finally, with Gamma – you’re screwed!”

Radicals follows this same concept musically.  Alpha is simple and serene; the quartet bounces between major triads and slight rhythmic alterations. Beta hinges between cute and troublesome in a squirrely scherzo while Gamma goes off the deep end and is extremely treacherous.

Radicals was premiered on April 5^th, 2014 by Josie Wisser, Emily Judd, John Apostolides, and Katie Rudzik at the University of Central Florida.

For 2 French Horns:

We all have at least one person in our lives we cannot stand but put up with. When this interaction occurs, most people present a calm composure but internally there is a litany of frustration. The energetic horns represent this range of emotion with the extremes of the instrument: large intervals between parts, repetitive and jagged sixteenth note patterns, and gnarly falls that mimic a snarl of the title. 

Contrary to this inspiration the performers I wrote this for (Emily Judd and Katie Rudzik) are two of the nicest people I had the pleasure of meeting in Orlando. Their enthusiasm and advice were crucial to the formation of this work.  JERK was premiered by the commissioners on March 15^th, 2015 at the University of Central Florida.

Based on the J.S. Bach Chorale "Vater unser im Himmelreich", this is a high energy work for a college ensemble that will be a nice challenge for the performer as well a great listen for the audience.

Commissioned by the Alloy Horn Quartet and funded in part by the Meir Rimon Commissioning Assistance Program of the International Horn Society World Premiere, International Horn Society Conference, 2018

"Studies in Ancient Irish Song" serves several purposes for the brass student. One is to give younger players an introduction to lyrical playing which will help prepare them for the greater demands made by the Bordogni and Concone etudes. Another is to challenge more advanced players with the techniques of phrasing and dynamic control required for pleasing melodic interpretation. They can be also used as part of one’s warm-up routine once some of the etudes become more familiar, providing players of all levels with beautiful, flowing melodies to warm-up the “musical” part of our playing that sometimes is overlooked in a daily routine. The performer should feel free to add dynamics to the ones already provided in the etudes. Breath marks are not provided, however, so that one may have more of a challenge in interpreting the phrases.