Search results for: 'brass quintet and organ'

ITEC Day 1 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM2675 The Struggle Within - Jonathon Oliver (TN Tech)

Tuba Ensemble

CM0168 Quartet for Brass - Ramsoe/Buttery (The Alchemy Quartet)

Tuba Quartet

CM 0108 Twinkle, Twinkle Little Star - Mozart/Werden (The Alchemy Quartet)

Tuba Quartet

TEP10752 Procession of the Nobles - Rimsky-Korsakov/Butler (KS State U)

Tuba Quartet

CM2875 The Girl with the Flaxen Hair - Debussy/Maxwell (KS State U)

Tuba Quartet

OV1001 Cat Affairs - Anna Baadsvik (Beth Mitchell and Alex Lapins)

Tuba or Euphonium duet and Piano

TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)

Tuba Ensemble and Percussion

BW0494 Suite for Six Tubas - Barton Cummings (UCLA)

Tuba Ensemble

TEP10221 Quatre Chansons (UCLA)

Tuba Quartet

CM2117 Four Paintings by Grant Wood - Barbara York (John Manning)

Tuba and Piano

TEP10697 Concerto per Flicorno Basso - Amilcare Ponchielli (Benjamin Pierce)

Tuba and Piano

OV0713 Vise (Simple Song) - Skomsvoll (Oystein Baadsvik)

Tuba and Piano

The Quintet No. 1 for Brass (2004) was composed for the American Brass Quintet to commemorate the 50th anniversary of the New York Brass Quintet. The composition was premiered by the American Brass Quintet on October 23, 2004 during the Brass Chamber Music Forum at Appalachian State University. The work demands technical skill and expressive playing from each of the five players. Changing meters, multiple tonguing and harmonic mediant relationships are revealed in the opening Vivace passage. These techniques form the structural basis for the composition. A menacing theme is presented by the trombones and then stated in inversion by the trumpets followed by the horn and bass trombone. A return of the opening material leads to an abrupt halt of the quick tempo. A Larhetto passage follows, characterized by slowly evolving harmonies and long melodic lines. The principal melody, a lyrical version of the theme from the opening section, is first stated by the trumpet and then by the trombone, bass trombone and horn. A slightly faster imitative passage follows during which the opening motive of the theme is passed from player to player in canonic fashion. The slower tempo returns as the middle section fades to a quiet close. A development section marked by the return of the opening tempo, rhythmic intensity and melodic materials leads to a varied recapitulation of the initial section. The entire opening section is restated with significant variation in the assignment of the materials and key centers. The furious tempo is maintained beneath the rhythmically augmented restatement of the lyrical theme. A final return of the opening material leads to a brief but dramatic coda that concludes the composition.

For those times when the working quintet needs a short filler…especially during church services.

1. Wir Danken Dir, Herr Jesu Christ - Bach

2. Erschienen ist der herrlisch Tag - Bach

3. Quodlibet - Bach

4. Refine Me, O Lord - Tallis

5. Christe, du Lamm Gottes - Bach

6. If ye love Me - Tallis

7. Variation VII - Bach

8. Down Ampney – Vaughan Williams

9. Christ, der du bist der heller tag - Bach