Search results for: 'tuba-euphonium quartet'
Items 1-20 of 74
- Related search terms
- Quartet for brass tuba quartet
- Tuba-Euphonium quartets, pdf
- Quartet horn trumpet trombone tuba
- Tuba-Euphonium , pdf, Beethoven
Instrumentation: Mixed Ensemble Instruments: Cello, Clarinet, Percussion, Tuba
Genre: ContemporaryTuba, Bb Clarinet, Cello and Percussion; Winner of a 2006 Harvey Phillips Award for Composition Excellence from the International Tuba-Euphonium Association Learn More
Instrumentation: Duet Instruments: Oboe, Tuba
Genre: ContemporaryTuba and Oboe Learn More
Instrumentation: Duet Instruments: Euphonium, Tuba
Genre: ContemporaryHorn and Tuba; For Jay Hunsberger and James Wilson Learn More
Instrumentation: Duet Instruments: Euphonium, Flute
Genre: ContemporaryEuphonium and Flute or Piccolo Learn More
Instrumentation: Solo and Chamber group Instruments: Bass, Percussion, Piano, Tuba
reduction with Rhythm section (recording is with wind ensemble)
The Concerto for tuba and winds is in my usual Third-Stream style, but I utilized
many new techniques for the first time in this piece. Jazz, rock, hip-hop and many kinds
of classical styles come together in the Concerto. Polymeter, improvisation and intuitive
swing notation play important roles in this piece as well as traditional four-part
counterpoint and ancient Greek form. It is simply titled Concerto in a classical fashion
but each movement has a more descriptive title.
I. Swing Low
III. Cutting Contest
I utilized a customized variation on the classical concerto form: a sonata-allegro
first movement, a slow second movement and a theme and variations finale.
Philosophically, this piece explores the traditional nature of a concerto from several
different angles. The first movement explores the cooperative side of a concerto. One
Latin root of the word concerto is conserere, which means to join. The soloist and wind
ensemble cooperate to produce many layers of polymeter in Swing Low. The Latin root
certamen, on the other hand, means to fight. So while the first movement is a
cooperative effort, the third movement, Cutting Contest, explores the idea of a musical
battle between the solo tuba and the wind ensemble on a familiar tune.
On March 6th, 2012, the Concerto was premiered in Seattle. Erin Bodnar led the
University of Washington Wind Ensemble with myself soloing. The Central Washington
University Wind Ensemble then recorded it with Dean Snavely conducting.
This reduction of Concerto features two different versions of the third movement
to allow for players to navigate the virtuosic fingering acrobatics on an E-Flat or F tuba.
The solo lines at letter E were inspired by Arban’s Carnival of Venice.
Curtis PeacockLearn More
January 26, 2014
Instrumentation: Mixed Ensemble Instruments: Bassoon, Cello, Clarinet, French Horn, Tuba
Genre: ContemporaryTuba, Clarinet, French Horn, Bassoon and Cello (or bass clainet); Winner of the NEOTUBA Tuba Ensemble Contest, sponsered by Tubists Universal Brotherhood Association and the University of Akron Learn More
Instrumentation: Mixed Ensemble Instruments: Bassoon, Clarinet, Flute, French Horn, Oboe, Tuba
Genre: ContemporaryEuphonium, Flute, Oboe, Clarinet, French Horn and Bassoon; Commissioned by the Tubists Universal Brotherhood Association (T.U.B.A.)/CN 308 (1980-1981) Learn More
Instrumentation: Ensemble Instruments: Bass, Drum Set, Euphonium, Piano, Tenor Sax, Tuba
Genre: Contemporarywith PianoTuba, Flugelhorn, Tenor Saxophone, Piano, Bass and Drums; Winner of the 2006 Harvey Phillips Award for Composition Excellence (tuba featured in jazz/rock/fusion) Learn More
Instrumentation: Solo and Chamber group Instruments: Clarinet, Double Bass, Euphonium, Flute, Piano, Tuba, Viola, Violin
Genre: Contemporarywith Flute, Clarinet, 2 Violins, Viola, Double-bass and Piano Learn More