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ITEC Day 4 June 2, 2016
Instruments: Euphonium, TubaITEC Day 4 2016 Recital Pieces
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TEP11089/11090 Hexagon - Anne McGinty (Mark Nelson and Matt Tropman)
6 Movements - Euph/Tuba Solo and Duet with Piano
TEP10034 Contrapunctus IX - Bach/Forbes (IN U of Purdue)
Tuba Quartet
TEP10788 Bacchanale from “Samson and Dalila” - Saint-Saens/Wilson (E Carolina U)
Tuba Quartet
TEP10733 A Little Monster Music - Elizabeth Raum (E Carolina U)
Tuba Ensemble
TEP11088 - Prelude in C# Minor - Rachmaninov/Renshaw (Ensemble Subsonique)
Tuba Ensemble
CM2594 White Keys - Zach Collins (Atlas)
Tuba Quartet
CM2860 Ascendance - Ben McMillan (Atlas)
Tuba Quartet
CM1775 Power Play - Frank Gulino (Atlas)
Tuba Quartet
TEP10438 Mars - Holst/Butler (Appalachian State U)
Tuba Ensemble
TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)
Tuba Ensemble and Percussion
CM1481 Night on Bald Mountain - Mussorgsky/Sutherland (Presidio Brass)
Brass Quintet
CM2925 Shenandoah - arr. Scott Sutherland (Presidio Brass)
Brass Quartet and Piano
Learn MoreStarting at $17.00
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ITEC Day 1 May 30, 2016
Instruments: Euphonium, TubaITEC Day 1 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM2675 The Struggle Within - Jonathon Oliver (TN Tech)
Tuba Ensemble
CM0168 Quartet for Brass - Ramsoe/Buttery (The Alchemy Quartet)
Tuba Quartet
CM 0108 Twinkle, Twinkle Little Star - Mozart/Werden (The Alchemy Quartet)
Tuba Quartet
TEP10752 Procession of the Nobles - Rimsky-Korsakov/Butler (KS State U)
Tuba Quartet
CM2875 The Girl with the Flaxen Hair - Debussy/Maxwell (KS State U)
Tuba Quartet
OV1001 Cat Affairs - Anna Baadsvik (Beth Mitchell and Alex Lapins)
Tuba or Euphonium duet and Piano
TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)
Tuba Ensemble and Percussion
BW0494 Suite for Six Tubas - Barton Cummings (UCLA)
Tuba Ensemble
TEP10221 Quatre Chansons (UCLA)
Tuba Quartet
CM2117 Four Paintings by Grant Wood - Barbara York (John Manning)
Tuba and Piano
TEP10697 Concerto per Flicorno Basso - Amilcare Ponchielli (Benjamin Pierce)
Tuba and Piano
OV0713 Vise (Simple Song) - Skomsvoll (Oystein Baadsvik)
Tuba and Piano
Learn MoreStarting at $15.00
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ITEC Day 3 June 1, 2016
Instruments: Euphonium, TubaITEC Day 3 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM2912 Prophecies - Barbara York (Mark Norman)
Tuba and Piano
CM2906 Snapshots - Barbara York (Mark Norman)
Tuba and Piano
CM2138 Every Day an Alleluia - Barbara York (Mark Norman and Joe Dollard)
Euph, Tuba and Piano
TEP10287 Tubas Latinas - Aldo Rafael Forte (U of MT)
Tuba Ensemble
CM2045 Tubas of the Apocalypse - Benjamin McMillan (U of MO at KC)
Tuba Quartet
TEP10598 Londonderry Air - Traditional/Mehlan (Baylor)
Tuba Quartet
CM1740 Color Code - Elizabeth Raum (Zach Collins)
French Horn, Tuba and Piano
CM2585 Big Sky - Frank Gulino (Zach Collins)
French Horn, Tuba and Piano
TEP11091 R.S.V.B. Hymn - Gail Robertson (R.S.V.B Quartet)
Tuba Quartet
CM1474 P.C. Tuba Quartet - Barbara York (R.S.V.B Quartet)
Tuba Quartet
Learn MoreStarting at $15.00
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ITEC Day 2 May 31, 2016
Instruments: Euphonium, Tuba
Genre: Classical, ContemporaryITEC Day 2 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM1347 Suite for Euphonium, and Tuba - Barbara York (Ken Kroesche and Michael Taylor)
Euph., Tuba and Piano
TEP10340 Tubamobile - Thom Ritter George (Southern MS)
Tuba Quartet
CM2369 Evolutions - Ben McMillan (Southern MS)
Tuba Ensemble
CM1651 Sizzl’ - Robert Denham (Aubrey Foard)
Tuba and Piano
EU405 St. James Infirmary - Primrose/Forbes (U of N IA)
Tuba Quartet
CM2736 Convent Window - Joanna Ross Hersey (Joanna Ross Hersey)
Unaccompanied Tuba
EU402 Funeral March of a Marionette - Gounod/Forbes (U of AL)
Tuba Quartet
TEP10878 Nocturno, Op. 7 - Strauss/Fischer (Jeremy McBride)
Tuba and Piano
CM2140 Tubaphonium Overture - Zach Collins (Murray State)
Tuba Ensemble
CM1477 Gravity Dances - Anthony Zilincik (Murray State)
Tuba Quartet
CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)
Tuba Ensemble
TEP10935 Declarations - David Uber (U of TN)
Tuba Ensemble
Learn MoreStarting at $10.00
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Suite for Clarinet Quartet
Composer: Trotter, Micah
Instrumentation: Quartet Instruments: Bass Clarinet, Clarinet
Genre: Contemporary3 Clarinets and Bass Clarinet
This is a perfect piece for a high school quartet.
I. Chorale
II. The Chase
III. Song
IV. Waltz
V. March
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Quartet in D
Composer: Kassler, David
Instrumentation: Mixed Ensemble Instruments: Clarinet, Euphonium, Piano, Viola
Genre: ContemporaryClarinet, Viola, Euphonium and Piano3 movements Learn More
From $25.00
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Horn Quartet No. 1
Composer: Ingram, Charles
Instrumentation: Quartet Instruments: French Horn
Genre: ContemporaryIn four movements, this is a solid recital piece for an advanced high school ensemble or college level group. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Quartet in D Major
Composer: Telemann, Georg Philipp Arranger: Everett, Micah
Instrumentation: Quartet Instruments: Trombone
Genre: BaroqueOriginally in G major for recorder, oboe, violin and continuo; TWV 43:G2 Learn MoreFrom $20.00
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Serenade for Euphonium (Op. 21)
Composer: Forsberg, Charles
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano
Serenade, Op.21, for Euphonium and Orchestra was composed in January 1979 as a work commissioned by Henry Charles Smith for the Minnesota Orchestra. Smith, longtime principal trombonist with the Philadelphia Orchestra before assuming the resident conductor/trombone post with the Minnesota Orchestra, was the soloist on euphonium in the premiere subscription concert performances with the orchestra later that year.
The Serenade is “an attractive, accessible but by no means insubstantial work” (Michael Anthony review, Minneapolis Star Tribune) for the instrument and orchestra. The Serenade runs about 15 minutes, is cast in four sections, and there is much of a feeling of a serenade about it, especially in the first two sections. Even the scherzo-like third section, after several pages of brassy, rhythmically vibrant activity, concludes with a series of slow, upward moving, yearning phrases in the solo instrument. The work is tonal and in the orchestral version, there is a considerable amount of solo work from various instruments of the orchestra – like the dialogue between the euphonium and the oboe in the “Nocturne” second section. Forsberg always keeps the solo instrument busy, especially in the festive finale. But his concern seems to be less with virtuosic display - or with exploring new techniques for the instrument – than with exploiting the instrument’s lyrical potential. Although written especially for the euphonium, the work might be performed as well with the tenor trombone. After editing and a few minor revisions from the 1979 manuscript score, the piece will now be available from Cimarron Music Press in piano, orchestra and wind ensemble accompaniment versions.
CWF, April 28, 2019
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Concerto for Euphonium
Composer: Nunes, Matthew
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano
This Concerto for Euphonium and Wind Band was composed for one of my former teachers and fellow euphonist Dr. Gail Robertson. For this work I based the material around pitches corresponding to each letter of her first name: G = G natural; A = A natural; I = Ionian, or the current key’s tonic, C natural; L = Lydian, or the fourth degree of the current key, F natural. Each movement is derived in some way from this figure.
The work begins with an energetic fanfare and a taste of the second theme. The euphonium enters with similar pomp and dazzling virtuosity that settles into more heroic statements. Next, the euphonium soars over thick ensemble textures in a tender reflection. Finally, the soloist charges forth in a ferocious display of dexterity and power.
The Concerto premiered April 21st, 2016 by Dr. Gail Robertson (euphonium) and the Little Rock Wind Symphony - Israel Getzov, conductor.
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Concerto for Euphonium
Composer: Liang, Wan-Yun
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano (band version available soon)
Ms. Wan-Yun Liang is a young Taiwanese woman composer, whose works mostly focus on winds chamber music as well as ensemble works. The Euphonium Concerto, Ms. Liang’s latest composition, was commissioned by Shih-Yao Huang, a Taiwanese Baritone player, and the winds ensemble of National Chung Hsing University, Taiwan. This Concerto contains three movements. The first movement is in a sonata form with two contrasting style melodies. The second movement is titled “Rondo” and the main theme is played by the Alto Saxophone player. In the middle section of this movement, the music turns into a charming waltz and which leads goes back to the beginning section. The third movement is a fast dancing movement with a slow introduction. As a brass player herself, Ms. Liang is willing to give the solo part many fast tonguing passages as well lyrical melodies to demonstrate the specific characteristics of this instrument. This work was premiered in July 7th, 2018, by Shih-Yao Huang and the winds ensemble of National Chung Hsing University, Taiwan, under the direction of Chwan-Yaw Foo.
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20 Etudes for Euphonium
Composer: John, Lynn Blake
Instrumentation: Euphonium Methods/Studies/Etudes Instruments: Euphonium
Genre: ContemporaryA variety of etudes in various styles and difficulty. The is the perfect book for a high school or college age student. Learn MoreFrom $17.00
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Sonatina for Euphonium
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano; 4 movement; commissioned by Cimarron Music Press
Commissioned by Cimarron Music Press
More pieces from Charles Ingram found here
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Essay for Euphonium
Composer: Pethel, Stan
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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21 Easy Duets for Euphonium or Trombone
Composer: Morley, Thomas Arranger: Cottrell, Jeffrey
Instrumentation: Duet Instruments: Euphonium, Trombone
Genre: RenaissanceThese duets are perfect for a teacher and their students. They would work well in a recital. Learn MoreFrom $17.00
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Euphonium Concerto
Composer: Danner, Greg
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: ContemporaryWith Piano, this was written for Winston Morris in Celebration of 50 Years at Tennessee Technological University. This is a tour de force for the Soloist and the Accompanist. Wind Band accompaniment available as well. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $25.00
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Perverse Notions
Composer: Moats, William
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano; Perverse Notions was written as a recital piece and does not have any particular program. It consists of contrasting sections of legato and tongued passages exploring high and low registers of the Tuba. The piano part assumes an active role beyond that of accompaniment.
William Moats is currently a resident of Mechanicsville, VA. He attended and graduated from Kent State University in Music Education with a major in instrumental music. He was a member of two military bands, playing trombone and euphonium before attending and graduating from Ball State University with a Master of Arts degree in Music. As a band and orchestra director in Ohio, he taught in the Dayton Public Schools and the Trotwood-Madison City Schools. In 1990, he made a career change to the computer industry and relocated to Birmingham, AL.
Mr. Moats served as choir director at Emmanuel Lutheran Church in Kettering, Ohio for 15 years. In addition to vocal choir he directed a brass ensemble, church band, folk ensemble, and eventually started a handbell choir. He has published handbell compositions with several publishers, published band music, string orchestra music and brass chamber music.
Mr. Moats is currently semi-retired. During his professional career, he has been a member of the Music Educator’s National Conference and Ohio Music Educators.
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Concerto for Tuba
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
This work was commissioned by Timothy Northcut in honor of Winston Morris, professor of tuba and euphonium at Tennessee Tech University since 1967. Among many others, his former students—both Tim and I included—call him a mentor, friend, and genuine hero to the tuba-euphonium world. Anyone who’s met Winston knows that he’s a larger-than-life character, and our goal was to capture a snapshot of that character within the piece.
The first movement, RWM, is constructed from a rhythmic motive that forms the basis of the entire work: 1/4 note followed by 4 1/8 notes
This motive, based on the name ‘R. Winston Morris’, becomes the driving force throughout the work, acting as a musical anchor point. The entrance of the solo tuba introduces the main musical theme that goes on to form much of the melodic material. Conceptually, the first movement represents a day in September of 1967 as Morris began his career at Tennessee Tech University. Beginning with a gentle, noble theme, the mood quickly builds and shifts into an energetic and sometimes whimsical whirlwind. The end of the movement relentlessly hammers out the motive—a tribute to Winston’s unrelenting musical drive. This abruptly shifts with the final note, moving seamlessly into the second movement.
The second movement, Sweet Steel, is dedicated in loving memory to Barbara “Bobbie” Morris. Although the tone is very dark and brooding, it’s ultimately a love song by the soloist, journeying through the stages of grief. From the darkness a second theme, hopeful and uplifting, rises to a heartfelt climax.
The final movement, Cookevegas, is a tongue-in-cheek reference to Cookeville, TN, home of Winston and Tennessee Tech University. His love of jazz is a major influence on this hectic, jazzy trip through the small Southern city. A return of the driving ‘RWM’ motive from the first movement brings the concerto to its finale.
Recording is from the premiere with the U.S. Army Band:
https://www.usarmyband.com/tuba/index.html
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Mini-Suite for Solo Tuba
Composer: Ingram, Charles
Instrumentation: Solo Instruments: Tuba
Genre: Contemporaryunaccompanied
I. Praeludium
II. Getting Around
III. Simple Song
IV. Off Waltz
V. Pompous March
VI. Faux Gigue
The Mini Suite for Solo Tuba was composed in 2015 for my good friend Dr. Richard Perry who is the Tuba/Euphonium professor at the University of Southern Mississippi. Dr. Perry was preparing a recital of unaccompanied music for tuba, and he asked me for a new piece.
The structure of the Mini Suite is very loosely based on the idea of the Baroque instrumental suite. While the Baroque suite is based on a series of dances, this one consists of six movements which are fleeting impressions found in the character pieces that are common in the Romantic period. The last movement is the only one that gives the nod to an actual dance found in the traditional Baroque suite.
The first movement, Praeludium, has no programmatic title and serves the purpose of opening the suite.
The second movement, Getting Around, gives the impression of someone who is far too busy to take time for himself until the last measure when he succumbs to exhaustion.
The third movement, Simple Song, is just that; a simple melody that is delivered without any undue fussiness.
The next movement, Off Waltz, is muted throughout and the steady rhythm that embodies the waltz is obscured on several occasions so that the beat is “off”.
The Pompous March hints at a self-important individual strutting his stuff around town and unintentionally making a comical spectacle of himself.
The final movement, Faux Gigue, goes back to the model of the Baroque suite which generally ended with a lively gigue in compound meter. I decided to write this one in three-quarter time as opposed to one of the compound meters. The term faux is a nod to the fact that this piece does not have the contrapuntal texture that is characteristic of the gigue. It also has meter changes that occur here and there which throws the steadiness of the dance out of kilter.
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Mirrors for Solo Tuba
Composer: Gourlay, James
Instrumentation: Solo Instruments: Tuba
Genre: ContemporaryunaccompaniedI. Refractions
II. Reflections
III. Mirrors
The tuba part includes parts for C Tuba, B-Flat Tuba and E-Flat Tuba. Learn More
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