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4 Solfeggi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano
From the editor:
The pieces in this volume came from a collection of 18 Gorgheggi, 4 Solfeggi and 12 Nuovi Vocalizzi by Gioachino Rossini (1702-1868). The Gorgheggi are scale patterns and exercises for learning, turns, ornaments and other embellishments. The 4 Solfeggi are training pieces that are much more musical than the Gorgheggi. They are melodic, have accompaniments, and are functionally wordless songs. I would put these in a similar category to several of the Kopprasch horn etudes; quite musical, but still primarily pedagogical in nature. While an effective performer can bring enough musicianship to these to make them viable exam jury or recital repertoire, they still have the feel of training pieces due to the limited ranges, simpler harmonic designs, repeated melodic figures, etc. The Vocalizzi (published separately by Potenza in versions for both euphonium and tuba) have much more depth than the Solfeggi, and stand on their own merit amongst the more serious works of Rossini. They are the equal to-albeit in a different style than- Rachmaninov’s famous Vocalise Op. 34 No. 14.
These Rossini etudes are another entry into the realm of performative-yet-pedagogical material. They are truly in the bel canto style, yet to my ear, have more depth than your average Bordogni etude. Each of these etudes requires-or develops-flexibility, beauty of sound, and the utmost lyricism possible for brass musicians.
These etudes are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lesson, juries, and solo recitals.
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12 Vocalizzi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classicalwith Piano
Bel Canto is an elusive term to define. While it literally translates to beautiful voice, it was a style of singing that emphasized beauty of tone, flexibility, and ease of execution. The music written in this style was characterized by florid lines and an emphasis of musical line over text. The term bel canto was, interestingly enough, not used until the style had faded somewhat. Rossini, at a dinner party in 1858 said, “Alas for us, we have lost our bel canto.”
The 12 Vocalizzi in this volume have depth and stand on their own merit amongst the more serious works of Rossini. I recommend these as recital pieces without reservation. They are the equal to- albeit in a different style than- Rachmaninov’s famous Vocalise Op. 34 No. 14 and are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lessons, juries, and solo recitals. I hope you will enjoy working on these pieces as much as I have. They breathe fresh life into the somewhat stale world of bel-canto-for-brass repertoire.
- Dr. Robert Benton
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Largo al Factotum
Composer: Rossini, Gioacchino Arranger: Cross, Steven
Instrumentation: Solo and Piano Instruments: Euphonium, Pianowith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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12 Vocalizzi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano
From the editor:
Bel Canto is an elusive term to define. While it literally translates to beautiful voice, it was a style of singing that emphasized beauty of tone, flexibility, and ease of execution. The music written in this style was characterized by florid lines and an emphasis of musical line over text. The term bel canto was, interestingly enough, not used until the style had faded somewhat. Rossini, at a dinner party in 1858 said, “Alas for us, we have lost our bel canto.”
The 12 Vocalizzi in this volume have depth and stand on their own merit amongst the more serious works of Rossini. I recommend these as recital pieces without reservation. They are the equal to-albeit in a different style than-Rachmaninov’s famous Vocalise Op. 34 No. 14 and are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lessons, juries, and solo recitals. I hope you will enjoy working on these pieces as much as I have. They breathe fresh life into the somewhat stale world of bel-canto-for-brass repertoire.
Learn MoreFrom $24.99
To $49.98
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Waltz in a minor
Composer: Chopin, Frederick Arranger: Hosmer, Chris
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ClassicalOriginally for Piano, this works very well as a Tuba solo with Piano. KK IVb Nr. 11 Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Una Voce Poco Fa
Composer: Rossini, Gioacchino Arranger: Hosmer, Chris
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano; From "Il Barbiere di Siviglia" this aria allows the tuba to shine. A wonderful recital piece! Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Barber of Seville Overture, The
Composer: Rossini, Gioacchino Arranger: MacKenzie, Justis
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Romanticwith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$22.00 -
Largo al factotum
Composer: Rossini, Gioacchino Arranger: Roesch, Will
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ClassicalSee product images or send us a message for information Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00