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ITEC Day 4 June 2, 2016
Instruments: Euphonium, TubaITEC Day 4 2016 Recital Pieces
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TEP11089/11090 Hexagon - Anne McGinty (Mark Nelson and Matt Tropman)
6 Movements - Euph/Tuba Solo and Duet with Piano
TEP10034 Contrapunctus IX - Bach/Forbes (IN U of Purdue)
Tuba Quartet
TEP10788 Bacchanale from “Samson and Dalila” - Saint-Saens/Wilson (E Carolina U)
Tuba Quartet
TEP10733 A Little Monster Music - Elizabeth Raum (E Carolina U)
Tuba Ensemble
TEP11088 - Prelude in C# Minor - Rachmaninov/Renshaw (Ensemble Subsonique)
Tuba Ensemble
CM2594 White Keys - Zach Collins (Atlas)
Tuba Quartet
CM2860 Ascendance - Ben McMillan (Atlas)
Tuba Quartet
CM1775 Power Play - Frank Gulino (Atlas)
Tuba Quartet
TEP10438 Mars - Holst/Butler (Appalachian State U)
Tuba Ensemble
TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)
Tuba Ensemble and Percussion
CM1481 Night on Bald Mountain - Mussorgsky/Sutherland (Presidio Brass)
Brass Quintet
CM2925 Shenandoah - arr. Scott Sutherland (Presidio Brass)
Brass Quartet and Piano
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Organ Fugue in G Minor (Little Fugue)
Composer: Bach, Johan Sebastian Arranger: Renshaw, Gretchen
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: BaroqueEETT
Gretchen Renshaw arranged J.S. Bach’s “Little” Fugue in Gminor, BWV 578 for Tuba-Euphonium Quartet. This well-known fugue was originally written for Organ and has been arranged many times for other instrumentations. Renshaw writes, “This arrangement for tuba-euphonium quartet is sure to provide a challenging, yet rewarding experience. Performers must strive for clarity of the subject whenever it is present, a task which becomes increasingly difficult as more voices are added to the texture.” Performers must add their own dynamic and expressive markings, as performers of the eighteenth century would have done.
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Souvenir de Porto Rico
Composer: Gottschalk, Louis Arranger: Renshaw, Gretchen
Instrumentation: Sextet Instruments: Euphonium, Tuba
Genre: ClassicalEEETTT
Arranger Gretchen Renshaw says, “Piano prodigy and composer Louis Gottschalk struggled to gain acceptance in Western music due to his American heritage. However, through extensive traveling and performing, he became the first North American to earn an international reputation as a pianist and composer. Gottschalk’s travels took him to Puerto Rico in 1857-58, where he became inspired by the music he heard there. This inspiration led to Souvenir de Porto Rico, a virtuosic character piece originally written for piano. The piece features two themes – one in march style, the other lyrical – and Gottschalk subjects these themes to a series of variations which he arranges in an arch form… Arranged here for tuba-euphonium ensemble, this exciting work will challenge players technically and stylistically as they work to find Gottschalk’s Puerto Rican groove.”
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Vallflickans Dans
Composer: Alfven, Hugo Arranger: Renshaw, Gretchen
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Romanticwith Piano
From the arranger:
Hugo Alfven (1872-1960) was a Swedish composer whose works feature a late-Romantic style. Although he is more well known for his choral works, Alfven wrote many pieces for orchestra and spent the years 1916-1923 composing the music for the pantomime ballet Bergakungen (The Mountain King). The story of this ballet focuses on the same figure depicted in Edvard Grieg’s “In the Hall of the Mountain King” from Peer Gynt. Vallflickans Dans, which translates to “Dance of the Herdmaiden,” is a showpiece for the first violin section in the original orchestral version. As a result, it translates easily to a virtuosic solo for instruments such as the euphonium, clarinet, flute, and others. The articulations provided in this edition’s solo part are not original to the orchestral version but rather facilitate the performance of this piece on a brass instrument. It would be ideal and would match the original violin articulation if the soloist could perform the fast sections without slurs, although this would be quite a feat given the great speed and relentless stream of sixteenth notes in these sections. This challenging piece is a great addition to any program in which the soloist wishes to display some euphonium fireworks.
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