Search results for: 'tuba-euphonium quartet'
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Quartet in D Major
Composer: Telemann, Georg Philipp Arranger: Everett, Micah
Instrumentation: Quartet Instruments: Trombone
Genre: BaroqueOriginally in G major for recorder, oboe, violin and continuo; TWV 43:G2 Learn MoreFrom $20.00
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Concertino No. 1, Op. 7
Composer: Klengel, Julius Arranger: Everett, Micah
Instrumentation: Solo and Piano Instruments: Euphonium, Piano, Trombone
Genre: Romanticwith Pianosuitable for Euphonium or Trombone Learn More
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Star-Spangled Banner, The
Composer: Smith, J. S. Arranger: Everett, Micah
Instrumentation: Quintet Instruments: Euphonium, Tuba
Genre: PatrioticEETTT Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Sonata Allegro
Composer: Mozart, Wolfgang Amadeus Arranger: Everett, Micah
Instrumentation: Quintet Instruments: Euphonium, Tuba
Genre: ClassicalEEETT; From "Symphony No. 13" Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Flight of the Bumblebee
Composer: Rimsky-Korsakov Arranger: Everett, Micah
Instrumentation: Quartet Instruments: Trombone
Genre: Classical, EntertainmentThis a challenge! Take on the challenge and impress any audience. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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De Profundis Clamavi
Composer: Reutter, Johann Georg Arranger: Everett, Micah
Instrumentation: Quartet Instruments: Trombone
Genre: ClassicalPsalm 130 (formerly attributed to W.A.Mozart) Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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Sonata No. 4 in g minor Op. 2, No. 4
Composer: Marcello, Benedetto Arranger: Everett, Micah
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Baroquewith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Ricercar
Composer: Gabrielli, Domenico Arranger: Everett, Micah
Instrumentation: Solo Instruments: Tuba
Genre: Baroqueunaccompanied Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Six Sonatas
Composer: Marcello, Benedetto Arranger: Everett, Micah
Instrumentation: Solo and Piano Instruments: Bass Trombone, Piano
Genre: Baroquewith Piano
These settings for bass trombone of the Marcello sonatas for cello follow my similar arrangements of the bassoon sonatas by Johann Ernst Galliard (1687-1747), which were published by Potenza Music in 2014. The impetus for these projects was a perceived need for more "intermediate-early advanced" solo literature for the bass trombone, as well as more settings of Baroque-period works for that instrument. While the sonatas are playable on the bass trombone in their original keys, by setting them in lower keys I have endeavored to make them useful for developing tone quality and technique in the low and valve registers, while not going so low that clarity and facility might be compromised. The new keys for each of the sonatas are closely related to the original ones, in every case down a perfect fourth or perfect fifth, so something of the "sound" of the original keys is maintained. These new keys are also quite suitable for the bass tuba and might be especially useful for players just learning the F or E-flat instrument.
- Micah Everett
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Six Sonatas
Composer: Galliard, Ernest Arranger: Everett, Micah
Instrumentation: Solo and Piano Instruments: Bass Trombone, Piano
Genre: Baroquewith Piano
These settings of the Galliard bassoon sonatas grew out of a perceived need for more “intermediate-early advanced” solo literature for the bass trombone, as well as more settings of Baroque-period works for that instrument. While the sonatas are playable on the bass trombone in their original keys (whether at pitch or down one octave), by setting them in lower keys I have endeavored to make them useful for developing tone quality and technique in the valve register, while not going so low that clarity and facility might be compromised (as can be the case when playing in the original keys down one octave). The new keys I have chosen for each of the sonatas are closely related to the original ones, in every case down a perfect fourth or perfect fifth, so something of the “sound” of the original keys is maintained. Other than the key changes I have made very few adjustments to the intervals in the solo or left hand keyboard parts; in the places where I have done the most editing I have provided cues for the original intervals and/or rhythms so that the player can choose whether to perform the simplified part I have provided or something closer to the original.
The new keys (as well as copyright considerations) necessitated that I provide entirely new figured bass realizations for the accompanist’s right hand. These are entirely my own, though in the early stages of this project I did consult with Professor Stacy Rodgers, my colleague and collaborator at the University of Mississippi. I have provided more than a simple harmonic accompaniment in my realization; each movement has a number of short melodic passages to provide interest in the keyboard part for both performer and listener. Still, I have been purposefully reserved in writing these parts, and in no case should the keyboardist feel obligated to strictly adhere to the part as I have written it. I have left the figured bass in the score so that the performer can modify and/or build upon what I have provided, particularly in the repeats (as Professor Rodgers did when playing and recording one of the sonatas with me). I have labeled the accompaniment part simply as “keyboard” with the understanding that these sonatas were originally intended for performance with harpsichord (assisted by cello or bassoon) or organ, though I am sure that the vast majority of performances of these arrangements will have piano as the accompanying instrument. My “keyboard” part has thus been written with that instrument in mind. If performing with harpsichord assisted by cello or bassoon those players will need to make adjustments in places where the bass lines extend below the ranges of their instruments.
While I am confident that my right hand part is a faithful realization of the harmonic structure indicated by the composer, no attempt has been made either in my keyboard realization or in my light editing of the solo part to adhere to present scholarly conventions regarding the interpretation of “early music.” I have constructed these arrangements to meet the needs of twenty-first-century student (and professional) bass trombonists, and thus I have provided the interpretive markings which I believe will yield the most pleasing performances on that instrument. That said, I have sought to be modest in my indications of tempo, dynamics, articulation, and ornamentation, as these sonatas will admit varying interpretations in those respects. Performers and teachers are welcome and encouraged to experiment in order to find the interpretations which they think most effective.
Although I originally created these arrangements with the bass trombone in mind, I am sure that they will work equally well on tuba. Due to range considerations similar to those I mentioned above for the bass trombone, they might be particularly better-suited to performance on the F or E-flat tubas than previous editions of these sonatas. I am looking forward to using these arrangements with my students on both instruments, and hope that others will find them useful, as well.
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $29.95
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Sonata in G minor
Composer: Telemann, Georg Philipp Arranger: Everett, Micah
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Baroquewith Piano; 4 movements Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Ricercar
Composer: Gabrielli, Domenico Arranger: Everett, Micah
Instrumentation: Solo Instruments: Trombone
Genre: Baroqueunaccompanied Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $12.00
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Ricercar
Composer: Gabrielli, Domenico Arranger: Everett, Micah
Instrumentation: Solo Instruments: Bass Trombone
Genre: Baroqueunaccompanied Learn MoreFrom $12.00
To $24.00
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Concerto for Two Alto Trombones
Composer: Vivaldi, Antonio Arranger: Everett, Micah
Instrumentation: Duet Instruments: Alto Trombone, Piano
Genre: Baroquewith Piano; Excellent for any college or professional recital. Learn MoreFrom $20.00
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