Search results for: 'quartet for 4 horns raum'

ITEC Day 2 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM1347 Suite for Euphonium, and Tuba - Barbara York (Ken Kroesche and Michael Taylor)

Euph., Tuba and Piano

TEP10340 Tubamobile - Thom Ritter George (Southern MS)

Tuba Quartet

CM2369 Evolutions - Ben McMillan (Southern MS)

Tuba Ensemble

CM1651 Sizzl’ - Robert Denham (Aubrey Foard)

Tuba and Piano

EU405 St. James Infirmary - Primrose/Forbes (U of N IA)

Tuba Quartet

CM2736 Convent Window - Joanna Ross Hersey (Joanna Ross Hersey)

Unaccompanied Tuba

EU402 Funeral March of a Marionette - Gounod/Forbes (U of AL)

Tuba Quartet

TEP10878 Nocturno, Op. 7 - Strauss/Fischer (Jeremy McBride)

Tuba and Piano

CM2140 Tubaphonium Overture - Zach Collins (Murray State)

Tuba Ensemble

CM1477 Gravity Dances - Anthony Zilincik (Murray State)

Tuba Quartet

CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)

Tuba Ensemble

TEP10935 Declarations - David Uber (U of TN)

Tuba Ensemble

ITEC Day 6 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

TEP10890 Andante Cantablie from Sym. 5 - Tchaikovsky/Forbes (SE LA U)

Tuba Ensemble

CM2045 Tubas of the Apocalypse - Benjamin McMillan (U of IA)

Tuba Quartet

CM2924 Till Eulenspiegel’s Merry Pranks - Strauss/Cross (N TX Tuba Ensemble)

Tuba Ensemble (EEEETTTTTT)

TEP10741 Sweet Dances - Elizabeth Ram (David Saltzman)

Unaccompanied Tuba

TEP10750 Pines of the Appian Way - Respighi/Forbes (LA State U)

Low Brass Ensemble

EU401 Just a Closer Walk - Traditional/Forbes (Charlotte Tuba Ensemble)

Tuba Quartet

TEP10432 Centipede - Troy Helm (All-Star Ensemble)

Tuba Ensemble

TEP10209 Beast! - Greg Danner (TN Tech U)

Tuba Ensemble

Lake Forest Overture imagines a sight-seeing adventure through a natural area near a lake.  After a short majestic introduction, the first theme, measures 5 – 36, represents teeming wildlife in the forest.  The next part, mm. 37 – 58, describes a forest glade area, with sunlight streaming through tall trees.  The following section, mm. 59 – 75, serves to depict streams flowing from the hills, heading for the nearby lake.  Finally, the concluding segment is about sailing on the lake.

Lake Forest Overture is a medium difficulty composition, which employs several contrasting styles and affords interesting parts for all included instruments.

 2 Trumpets, 2 Horns, 2 Trombones, Euphonium and Tuba

SATB:

Fort Worth Funk was written to provide a light-hearted, engaging selection for Saxophone Quartet.  It begins with a dramatic statement from the Baritone Saxophone, who lays down the opening groove.  The other members of the quartet enter one at a time, while the composition builds to a virtuostic moment for the full quartet.  The staggered entrances also provide an opportunity to stage theatrics as well.  Appropriate rhythms and articulations are meticulously notated to help players achieve an authentic “funk” style in their performance.  The piece is loosely based on the chord changes to the jazz standard “Well You Needn’t”, which appears briefly in swing style at the end of the piece.  Chord changes and written solos are provided during the improvised sections, to bring the piece within the grasp of a wide spectrum of players. 

Arranged for British Brass Band, this is a medley of three hymns:

A Mighty Fortress is Our God

It is Well With My Soul

Fairest Lord Jesus

This works well in both a church or on the concert stage.

Forest Sounds was composed in 2013 as a commission for the Inspirare Duo, clarinetist Gail Zugger and flutist Lisa Jelle and premiered by them in October of that year. The piece is one movement, divided into four sections, each focusing on a concept of sound within a forest. The first section is bird calls, featuring the robin and cardinal. Section two introduces waterfowl with conversations between the sandpiper, mallard duck, and loon. Section three features the small critters: squirrel, chipmunk and rabbit scurrying about on the forest floor. The final section is a portrait of all the animals on a sunny summer day enjoying a multitude of simultaneous conversations. Tempo markings and alterations should be viewed as guides. The performers should feel free to allow the music to push and pull as they wish. Enjoy! Learn More