Search results for: 'joshua fit the batle of jericho'
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Joshua Fit de Battle of Jericho
Composer: Traditional Arranger: Geese, Ron
Instrumentation: Quartet Instruments: Euphonium, TubaSee product images or send us a message for information Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Joshua Fit the Battle of Jericho
Composer: Spiritual Arranger: Turner, Michael T.
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Folk music, Hymnwith Piano Learn MoreFrom $18.00
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Joshua Fought the Battle of Jericho
Composer: Traditional Arranger: Dempsey, Rick
Instrumentation: Ensemble Instruments: Trumpet8 Trumpets w/ Rhythm Section Learn MoreAs low as $16.00
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String Quartet No. 1, Mvt. 1
Composer: Beethoven, Ludvig van Arranger: Mietz, Joshua
Instrumentation: Quartet Instruments: Bass Clarinet, Clarinet
Genre: Romantic3 Clarinets and Bass Clarinet
Dedicated to Prince Franz Joseph von Lobkowitz, String Quartet No. 1 in F Major, Op. 18, No. 1 was finished on June 25, 1799 with some revisions thereafter. Beethoven initially felt it to be a work in progress and commented that he had not yet “learned to write quartets properly”. Despite his perfectionism, only minor changes were made after the premier performance.
Compositionally, this work is best aligned with the string quartets of Mozart and Haydn – two of Beethoven’s largest influences; however, a seasoned listener can feel his strain against the established norms of the classical period. The opening motive of the first movement is a six-note turn that was originally heard over 130 times throughout the movement. The composer later scaled this number down to 109 in subsequent revisions. It follows closely to a sonata allegro form and, with the exception of his typical dramatic dynamic changes, follows the patterns established by his predecessors.
– Joshua Mietz (Arranger)
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String Quartet No. 1, Mvt. 4
Composer: Beethoven, Ludvig van Arranger: Mietz, Joshua
Instrumentation: Quartet Instruments: Bass Clarinet, Clarinet
Genre: Romantic3 Clarinets and Bass Clarinet
Dedicated to Prince Franz Joseph von Lobkowitz, String Quartet No. 1 in F Major, Op. 18, No. 1 was finished on June 25, 1799 with some revisions thereafter. Beethoven initially felt it to be a work in progress and commented that he had not yet “learned to write quartets properly”. Despite his perfectionism, only minor changes were made after the premier performance.
The opening of this Allegro finale pays homage to Mozart with its wild swirls in the solo voices followed by a response of the whole ensemble. As the movement develops, the ensemble plays what we later discover as Beethoven’s true voice. Like the first movement, the last movement affords the ensemble dramatic dynamic changes and driving motor devices. The virtuosity required of the players makes this the most challenging of any of the movements in the quartet.
– Joshua Mietz (Arranger)
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Round of the Goblins
Composer: Bazzini, Antonio Arranger: Gardner, Joshua
Instrumentation: Solo and Piano Instruments: Clarinet, Piano
Genre: Romanticwith Piano
Joshua Gardner arranged this virtuosic violin piece for clarinet and piano for clarinetist Robert Spring. Originally one of Heifetz’s signature works, this piece has been reinvented as a show-stopper for the clarinet by Robert Spring. It can be heard on his CD “Tarantelle,” and is guaranteed to wow any audience.
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String Quartet No. 1, Mvts. 2 and 3
Composer: Beethoven, Ludvig van Arranger: Mietz, Joshua
Instrumentation: Quartet Instruments: Bass Clarinet, Clarinet
Genre: Romantic3 Clarinets and Bass Clarinet
Dedicated to Prince Franz Joseph von Lobkowitz, String Quartet No. 1 in F Major, Op. 18, No. 1, was finished on June 25, 1799 with some revisions thereafter. Beethoven initially felt it to be a work in progress and commented that he had not yet “learned to write quartets properly.” Despite his perfectionism, only minor changes were made after the premier performance. The Adagio is impassioned, tragic, and dark. Karl Amenda, Beethoven’s violinist friend, revealed that the composer contemplated the tomb scene from Shakespeare’s Romeo and Juliet when composing this operatic second movement. Toward the end of the movement, the rhythms of the solo voices become faster and, as such, become more severe. The Scherzo third movement closely resembles the playful quality found in Haydn’s quartets and is most closely aligned with the harmonic structures of the first movement.
A clarinetist approaching this work faces many of the same challenges of his string-playing colleagues including: interpretation, note length, tempi, dynamics, and all other musical decisions. To further complicate matters, clarinetists must also discuss and agree upon breathing strategies and alternative fingerings. While this work is orchestrated for three B-flat soprano clarinets and a B-flat bass clarinet with a low C extension, it may be performed by a larger clarinet-choir as well. Throughout the original work, there are places where a string player performs double or even triple stops and those notes have been included in this transcription for two reasons: the first is to provide options to the players performing in a quartet to add a slight variance in color, the second is to further enhance the harmony when the work is performed by more than four clarinetists. It is remarkable to observe the subtle variances in flexibility and tone when performed by a four-person ensemble as opposed to a larger group. This edition does not vary from the original in key or, to the extent possible, range with the exception of a few octaves that have been transposed to better promote facility on the clarinet.
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Vienna Philharmonic Fanfare
Composer: Strauss, Richard Arranger: Hobbs, Joshua
Instrumentation: Ensemble4 Trumpets, 4 Horns, 3 Trombones, Euphonium, Tuba and Timpani Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $30.00
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Walls of Jericho, The
Composer: Buss, Howard J.
Instrumentation: Solo and Ensemble Instruments: Trumpet
Genre: Contemporarywith Trumpet Ensemble: The Walls of Jericho for solo Bb trumpet and 6-part trumpet ensemble was inspired by the Biblical story of Joshua and the Battle of Jericho, the music is characterized by a juxtaposition of intense, energetic sections with subdued passages. A great deal of color interest is added by the sensitive use of mutes in the solo and ensemble parts, as well as by the players on parts one and four doubling on Flügelhorn. This composition makes a rousing and memorable feature number for the advanced ensemble. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $28.00
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Jericho
Composer: Traditional Arranger: Wyrick, Jerry
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: Hymn, JazzThe traditional tune "Jericho" has been arranged for Brass Quintet. This is an upbeat and jazzy version. A real crowd pleaser! Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Battle of Jericho
Composer: Traditional Arranger: Johnson, Daniel
Instrumentation: Trio Instruments: Alto Sax, Tenor Sax
Genre: JazzThis version of "Battle of Jericho" for Saxophone Trio is set in a swing style and is playable by any level group. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Battle of Jericho
Composer: Traditional Arranger: Johnson, Daniel
Instrumentation: Trio Instruments: Tuba
Genre: HymnEuphs. And Tuba Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Der Tempel der Menschheit
Composer: Berlioz, Hector Arranger: DeRaad, Joseph
Instrumentation: Quartet Instruments: Euphonium, TubaThe Star of Liberty Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $30.00
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Set Off
Composer: Liang, Wan-Yun
Instrumentation: Sextet Instruments: Euphonium, Tuba
Genre: ContemporaryEEETTT
In Memory of our friend Tubabass Tzu-Ming Hsu Commissioned by EuTuba Euphonium and Tuba Ensemble.
This piece was commissioned by my close friend, Tubabass Tzu-Ming Hsu who was the member of EuTuba Euphonium and Tuba Ensemble and holds New Year's celebrations every year for Taiwanese bass and euphonium players. He told me that he would love to have a theme song for the New Year's event and we could play it every year. His enthusiasm for music and low brass group always touches me. Unfortunately, our friend left us before the premiere.
The first part of the piece begins with a powerful rhythm which means we have firm confidence and courage and ready to set off again. The opening section leads into a slow and touching melody which shows the charm of low brass.
I wrote this piece to encourage all the musicians and ensemble affected by the pandemic. Finally, I want to say to you in heaven, we will work hard to enforce your spirit and beliefs.
We will play this piece at New Year's events every year.
Wan-Yun Liang
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Officer of the Day
Composer: Hall, R.B. Arranger: Panza, Michael
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: MarchRobert Browne Hall, best known as R.B. Hall, was a prolific composer of marches having published 63 marches during his lifetime. Hall, a virtuoso cornetist in his own right, became the conductor of his local brass band at the young age of 19. ‘Officer of the Day’ (1903) is one of Hall’s most famous marches, the trio of which has been used on several occasions included as the Alma Mater of Carleton College. This is sure to be a favorite of your audience. Learn MoreFrom $18.00
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Sonate in G Major, Op. 78
Composer: Brahms, Johannes Arranger: Gardner, Joshua and Stefanie
Instrumentation: Solo and Piano Instruments: Clarinet, Piano
Genre: Romanticwith Piano
Joshua and Stefanie Gardner have arranged Johannes Brahms’ first violin sonata, op. 78 for clarinet and piano. As much as possible the work is unchanged from the original violin part, though there are several sections notated with an optional 8vb part when the violin’s range becomes prohibitively high. For the clarinetist who’s always wanted more Brahms to play, this arrangement is an excellent choice.
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Offertoire
Composer: Franck, Cesar Arranger: Manzo, Angelo
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ClassicalFrom $17.00
To $34.00
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Petit Offertoire
Composer: Franck, Cesar Arranger: Lewis, Steve
Instrumentation: Solo and Piano Instruments: French Horn, Piano
Genre: Romanticwith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $15.00
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Spiritual Offerings
Composer: Traditional Arranger: Schultz, Connie
Instrumentation: Quartet Instruments: Euphonium, French Horn, Trombone, TrumpetBb Cor, Bb Cor/FlglTrb, Euph Learn MoreAs low as $18.00
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Sound Off
Composer: Sousa, John Philip Arranger: Patterson, Donald
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: MarchWritten while Sousa was conductor of the U.S. Marine Band, this Brass Quintet arrangement is a favorite for ceremonies and any outside concerts. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00