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with optional Percussion; This version of Pomp and Circumstance is not only chop friendly, but has some flare and a crowd pleasing ending, and while you rest your face, it still sounds like it should. Majestic and regal for any graduating class!

Seeking to diversify horn repertoire and inspired by her students amid a global pandemic, Margaret McGillivray set out to inject beauty and justice into the world in a small way. Her frustrations soon led to:

LIFT: Solos for Horn by Black Composers

With piano accompaniment for each piece, this project culminated in 18 new arrangements or compositions for horn:

1. Friendship Source of Joy –– Ignatius Sancho/Katy Ambrose

2A. Menuetto in C –– J. Bologne, Chevalier de Saint Georges/Althea Talbot-Howard

2B. Menuetto in E-flat –– J. Bologne, Chevalier de Saint Georges/Althea Talbot-Howard

3. The American Girl –– Francis Johnson/Katy Ambrose

4. Deep River –– African American Spiritual/Samuel Coleridge-Taylor/Althea Talbot-Howard

5. Adagio Cantabile from Cinnamon Grove Suite –– R. Nathaniel Dett/Margaret McGillivray

6. Sympathy –– Florence Price/Margaret McGillivray

7. Wake Me Up –– Jasmine Barnes

8. A Stolen Moment –– Joel Collier (ASCAP)

9. Old St. John –– Mary D. Watkins

10. Stranger from the Wind –– Benjamin Horne

11. On the Uses of Quills –– Melika M. Fitzhugh

12. Eulogy –– Stewart Goodyear

13. Pan-Tones –– Mattea Williams

14. When I’m Older –– Shanyse Strickland

15. The First Solo Flight –– David A. Eastmond

16. Tango No. 3 –– Dalian Bryan

17. Dahomey Passacaglia –– Althes Talbot-Howard

18. Pesadelos 1 (Nightmare 1) –– Jeff Scott

with Orchestra; "Concerto for Bassoon" by Howard J. Buss was composed during 2016 and 2017 and is dedicated to Dr. Keith Sweger. This work was created in two versions – one for bassoon and piano, and the other for bassoon and orchestra. Cast in two movements, "Reminiscences" and "Excursions", the music spans a wide range of moods and timbral atmospheres, ranging from lyric tenderness to forceful, aggressive sections: (19’) Grade V-VI.

Can also be played with the Euphonium as the solo instrument.

Fnugg is one of the most popular compositions for tuba solo of all time.
Fnugg Red is a variation on this song and was originally written for tuba, trombone and orchestra.
This is a version for tuba and piano. 

2 Tubas and Piano

or

universal edition includes each part in:

C, B-flat, E-flat and F