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Sonata, KV. 292
Composer: Mozart, Wolfgang Amadeus Arranger: Werden, David
Instrumentation: Duet Instruments: Tuba
Genre: Wiener classicalSee product images or send us a message for information Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Sonata, KV. 292
Composer: Mozart, Wolfgang Amadeus Arranger: Werden, David
Instrumentation: Duet Instruments: Tuba
Genre: Wiener classicalSee product images or send us a message for information Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Sonata, KV. 292
Composer: Mozart, Wolfgang Amadeus Arranger: Werden, David
Instrumentation: Duet Instruments: Euphonium
Genre: Wiener classicalSee product images or send us a message for information Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Collection of Works for Euphonium and Piano, A
Composer: Mantia, Simone Arranger: Renshaw and Mead
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classical, Contemporary, Theme and Variationwith Piano
Simone Mantia is one of the most important euphonium virtuosi in the history of the instrument. His contributions to the euphonium repertoire are significant. A composer and arranger, Mantia recognized the need to expand the euphonium repertoire and was active in bringing the euphonium from the back of the band to the front of the stage as a solo instrument.
This solo collection presents modern editions of some of the most well-known pieces in Mantia’s repertoire. These editions are based on the materials found in the Simone Mantia Collection, a resource archived in 2009 by Gretchen Renshaw which contains many of Mantia’s musical possessions. Through collaboration with Steven Mead, Renshaw has aimed to correct the errors in the original versions of these pieces and provide editorial suggestions that will aid in exciting performances of these works.
The titles included in this collection are: Believe Me, If All Those Endearing Young Charms, Valse Caprice “Priscilla”, Rio Rita, The Southerner, Solvejg’s Song and Fantasie Originale.
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Pomp and Circumstance No. 1
Composer: Elgar, Edward Arranger: Heading, Andrew
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: Classical, MarchElgar’s most hated piece – at least the piece that he came to hate – was the trio from this march, known by its more familiar title, “Land of Hope and Glory”. Of course, if Elgar had heard it performed by a brass quintet, he may well have started enjoying it again. Never mind, this piece is an audience favorite, and will really get the trumpets working together.
– Andrew Heading
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Concerto for Tuba and Strings - Plau
Composer: Plau, Arild
Instrumentation: Solo and String orchestra Instruments: Tuba
Genre: RomanticThis material was previously for rent and you had to return the parts and score to us after the performance. Now we sell it for the same price. This means you get to keep the material and can perform it as many times as you like. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $11.00
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24 Vocalises
Composer: Bordogni, Marco Arranger: Aquilanti and Fossi
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Romanticwith Piano or downloadable backing tracks
Giulio Marco Bordogni (1789-1856), usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris. Bordogni was born in Gazzaniga, near Bergamo, Italy. He was a product of the exceptional Bergamo tenor school which originated with Giacomo David and Gaetano Crivelli, and in which can also be counted, in addition to David’s two best pupils, his son Giovanni and Andrea Nozzari, the excellent Domenico Donzelli and Giovanni Battista Rubini. Bordogni made his operatic debut at La Scala, Milan in 1813 in Rossini’s Tancredi, and became very active in promoting that composer’s music. He appeared in many of Rossini’s operas in their premieres in various towns and theaters. In 1825 he created the role of Conte di Libenskof in Rossini’s Il viaggio a Reims. He sang for many years at the Theatrea des Italiens in Paris. He became a teacher at the Paris Conservatoire in 2810 and continued to teach there until shortly before his death in Paris. He was the author of a published singing method, and composed many sets of vocalizes which remained in use by singers for a century afterwards. They remain popular as transcriptions for many instrumentalists today. He was probably the single most influential teacher of the English tenor Sims Reeves, who came to study with him in 1843, Bordogni was awarded the Legion d’Honneur on May 10, 1839 by M. de Gasparin, at the same time that it was awarded to Director of the Opera Duponchel, and to composer Hector Berlioz, who wrote that Bordogni was the best singing-master of the time.
- Alessandro Fossi
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $29.95
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Sultry & Eccentric
Composer: Grant, James Arranger: DeBoer, Andrew
Instrumentation: Solo and Piano Instruments: Clarinet, Piano
Genre: Contemporarywith Piano
Sultry and Eccentric features the solo instrument in two distinctly different musical roles. Sultry is an expressive ballad in the spirit of the familiar jazz “torch song,” offering ample opportunity for the soloist to display warmth, lyricism and soul. Eccentric, on the other hand, requires considerable technical command as both soloist and accompanist are faced with quirky leaps, nimble runs, and a relentlessly eccentric rhythmic and melodic palette.
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Sonata No. 1
Composer: Bowen, York Arranger: DeBoer, Andrew
Instrumentation: Solo and Piano Instruments: Clarinet, Piano
Genre: Contemporarywith Piano
Among York Bowen’s many works, there is a significant body of viola works. Many of these viola works were written for the English violist Lionel Tertis, whose mission was to promote viola through the commissioning of viola works from a variety of composers. Bowen composed this Sonata No. 1 in C Minor for viola and piano in 1905. The piece was first performed by Tertis on viola and Bowen on piano. While touring in Germany with Tertis, Bowen received glowing reviews of both his playing and his viola works. This sonata was presumably among these works.
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Romance in D-Flat
Composer: Bowen, York Arranger: DeBoer, Andrew
Instrumentation: Solo and Piano Instruments: Clarinet, Piano
Genre: Contemporarywith Piano
Among York Bowen’s many works there is a significant body of viola works. Many of th ese viola works were written for the English violist Lionel Tertis, whose mission was to promote the viola through the commissioning of viola works from a variety of composers. Bowen’s Romance in D flat was originally composd for violin and piano and was later transcribed for Tertis. This edition, arranged for clarinet by Andrew DeBoer, shows the lyrical and expressive qualities of the clarinet.
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Sol y Sombra
Composer: Nogueroles, Eduardo Arranger: Tunnell, Meme and Michael
Instrumentation: Solo and Piano Instruments: Piano, Trumpet
Genre: Contemporarywith Piano
Sol y Sombra is a joyous and festive piece, in the form of a malaguena, for solo trumpet and band, here with a piano reduction. It begins with a virtuosic cadenza, and the accompaniment later joins in a flamenco style.
Sound file is the wind band accompaniment version available HERE
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Old Comrades
Composer: Teike, Carl Arranger: Heading, Andrew
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: MarchGerman musician Carl Teike was a military musician, playing amongst other instruments, the French Horn. He composed Alte Kameraden (Old Comrades) in 1889, and was less than pleased with his bandmaster’s reception to it – he suggested that Teike throw it on the fire. He promptly left the military and a cluey publisher picked up the march, which has become extremely popular – the most popular of all his over one hundred marches.
This brass quintet arrangement is a delightful addition to any program, and in an extra tribute to the composer, the French horn is featured in the trio.
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Down by the Salley Gardens
Composer: Hughes, Hubert Arranger: Tunnell, Meme and Michael
Instrumentation: Solo and Piano Instruments: Piano, Trumpet
Genre: Folk musicwith Piano
This arrangement of Down By the Salley Gardens for trumpet and piano is based on a melody first composed by Herbert Hughes, and later made famous in an arrangement by Benjamin Britten. The text is taken from a poem by W.B. Yeats.
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Lullaby
Composer: Brahms, Johannes Arranger: Heading, Andrew
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: ClassicalThis arrangement of Brahms’ famous lullaby features the first trumpet and the trombone. It begins fairly straight-forwardly, but morphs into a very colourful middle section featuring some unusual but pleasant harmony and rhythms, before finishing in a more traditional manner. It should not send your audience to sleep, but have them awestruck at the wonderful sounds that brass instruments can make. Learn MoreFrom $14.95
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Clarinet Marmalade
Composer: Shields, Ragas and Edwards Arranger: Sherwood, Andy
Instrumentation: Trio Instruments: Bass Clarinet, Clarinet
Genre: JazzComposed in 1918, this dixieland jazz standard comes to life for Clarinet Trio (2 Clarinets and Bass Clarinet). Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Clarinet Marmalade
Composer: Shields, Ragas and Edwards Arranger: Sherwood, Andy
Instrumentation: Ensemble Instruments: Bass Clarinet, Clarinet
Genre: JazzComposed in 1918, this dixieland jazz standard comes to life for Clarinet Ensemble (4 Clarinets and Bass Clarinet). Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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Little Black Lucille
Composer: Johnson, Howard Arranger: Johnson and Brown
Instrumentation: Quintet Instruments: Bass, Drum Set, Flugelhorn, Piano, Tuba
Genre: JazzFlute, 5 Tubas, Piano, Bass and Drum Set
The name “Little Black Lucille” wasn’t used kindly at first, but in the end my Aunt Lucille, an unloved orphan, built a loving family against the odds.”
- Howard Johnson
This composition is certainly a tribute to the life and struggles of Howard Johnson’s Aunt Lucille. The penny whistle opening and appearance near the end is a great tribute to the textural disjunction of the arrangement and the juxtaposition of the story that unfolds. He has composed a piece that is soulful, powerful, and triumphal.
Howard Johnson’s jazz tuba ensemble is envisioned as a tuba choir-with tubas in F, E flat, CC, and BB flat- that encourages tuba players to learn to play in the upper register. His charts were originally written for his tuba jazz ensemble, Gravity, formed in 1968 with Howard Johnson as solo lead tuba. The charts can in fact be performed with euphoniums; but he formed his group, made his arrangements and developed this specific instrumentation 50 years ago as a statement about tubas and prefers to hear his arrangements played in this configuration, encouraging tuba players to develop the range required. His most important advice is that whatever instrumentation is used, make if fun and find the best jazz rhythm section!
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Bordogni Suite
Composer: Bordogni, Marco Arranger: Heading, Andrew
Instrumentation: Quartet Instruments: Trombone, Tuba
Genre: Classical3 Trombones and Tuba
6 movements
The vocalises of Marco Bordogni are a staple for trombonists and tubists world-wide, and this suite was borne from a desire to play them with my section in a format other than in octaves. To that end, I conceived the idea of arranging these exercises so that all the members of the section got the chance to play the melody as well as counter-melodies and harmonies. Similarly, the harmonies I have used are not really the ones that you might expect; rather, I have made them a little more interesting than the standard chords I and V. Thus, to perform this music well, the section must really work hard on sound, balance, intonation and rhythm – all of which will make your section sound awesome!
– Andrew Heading, arranger
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High Priest
Composer: Tyner, McCoy Arranger: Johnson and Brown
Instrumentation: Sextet Instruments: Bass, Drum Set, Piano, Tuba
Genre: Jazz6 Tubas, Piano, Bass and Drum Set
“The High Priest is McCoy’s tribute to the high priest of Jazz- Thelonious Monk. The form is an eleven bar blues.”
- Howard Johnson
High Priest was recorded, with Howard Johnson playing tuba, in December 1967. This recorded album, Tender Moments, was subsequently released in 1968 on the Blue Note label. Later in 1992 on the Turning Point record album, High Priest was recorded again featuring McCoy Tyner’s big band, which included Howard Johnson on tuba and as an arranger.
Howard Johnson’s jazz tuba ensemble is envisioned as a tuba choir- with tubas in F, E flat, CC, and BB flat- that encourages tuba players to learn to play in the upper register. His charts were originally written for his tuba jazz ensemble, Gravity, formed in 1968 with Howard Johnson as solo lead tuba. The charts can in fact be performed with euphoniums; but he formed his group, made his arrangements and developed this specific instrumentation 50 years ago as a statement about tubas and prefers to hear his arrangements played in this configuration, encouraging tuba players to develop the range required. His most important advice is that whatever instrumentation is used, make it fun and find the best jazz rhythm section!
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Etudes for Tuba Quartet
Composer: Various Arranger: Palton and Olt
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: Classical, ContemporaryFor Tuba Quartet (EETT), this book teaches an aspiring ensemble the various aspects of playing that will make them successful. It uses samples from various works and at the includes four selections of full pieces. The sections include:
Section One – Intonation
Section Two – Rhythm and Alignment
Section Three – Articulation and Style
Section Four – Complete Works
Sanctus and Benedictus – Palestrina/Palton
O Magnum Mysterium – Victoria/Palton
Chorale “Zion hort die Wachter singen” – Bach/Palton
Contrapunctus I – Bach/Palton
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