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ITEC Day 1 2016 Recital Pieces

If not marked download or shipped, the product is only available in the printed form. 

CM2675 The Struggle Within - Jonathon Oliver (TN Tech)

Tuba Ensemble

CM0168 Quartet for Brass - Ramsoe/Buttery (The Alchemy Quartet)

Tuba Quartet

CM 0108 Twinkle, Twinkle Little Star - Mozart/Werden (The Alchemy Quartet)

Tuba Quartet

TEP10752 Procession of the Nobles - Rimsky-Korsakov/Butler (KS State U)

Tuba Quartet

CM2875 The Girl with the Flaxen Hair - Debussy/Maxwell (KS State U)

Tuba Quartet

OV1001 Cat Affairs - Anna Baadsvik (Beth Mitchell and Alex Lapins)

Tuba or Euphonium duet and Piano

TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)

Tuba Ensemble and Percussion

BW0494 Suite for Six Tubas - Barton Cummings (UCLA)

Tuba Ensemble

TEP10221 Quatre Chansons (UCLA)

Tuba Quartet

CM2117 Four Paintings by Grant Wood - Barbara York (John Manning)

Tuba and Piano

TEP10697 Concerto per Flicorno Basso - Amilcare Ponchielli (Benjamin Pierce)

Tuba and Piano

OV0713 Vise (Simple Song) - Skomsvoll (Oystein Baadsvik)

Tuba and Piano

Trumpet, Trombone and Guitar

From the composer:

The term “organic” usually refers to something grown from a living organism. In this piece, all harmonic and melodic material grows from a single note. The opening passage expands the note into an organic scale unique to the piece, which is then used to underpin the rest of the work. Rhythmically the work grows from beginning to end. The slow, single and duple pulse of the opening passage is expanded to triple time at bar 22, and further to quadruple time from bar 133 onwards. From bar 186 both brass players improvise freely on material present earlier in the piece, almost in the manner of a jazz jam session.

Organica was commissioned by Ensemble Three through the University of Melbourne in 2013, for premiere and recording by Don Immel, Joel Brennan and Ken Murray.

EETT

Gretchen Renshaw arranged J.S. Bach’s “Little” Fugue in Gminor, BWV 578 for Tuba-Euphonium Quartet. This well-known fugue was originally written for Organ and has been arranged many times for other instrumentations. Renshaw writes, “This arrangement for tuba-euphonium quartet is sure to provide a challenging, yet rewarding experience. Performers must strive for clarity of the subject whenever it is present, a task which becomes increasingly difficult as more voices are added to the texture.” Performers must add their own dynamic and expressive markings, as performers of the eighteenth century would have done.

For Tuba Quartet (EETT), this book teaches an aspiring ensemble the various aspects of playing that will make them successful.  It uses samples from various works and at the includes four selections of full pieces.  The sections include:

Section One – Intonation

Section Two – Rhythm and Alignment

Section Three – Articulation and Style

Section Four – Complete Works

Sanctus and Benedictus – Palestrina/Palton 

O Magnum Mysterium – Victoria/Palton 

Chorale “Zion hort die Wachter singen” – Bach/Palton

Contrapunctus I – Bach/Palton

1. Hail to the Chief

2. The Star Spangled Banner

3. America the Beautiful

4. God Bless the Queen (America)

5. 0 Canada

6. Rule, Britannia

7. La Marseillaise

8. Fanfare of Tribute

9. Fanfare D'Sousa

10. Canonic Fanfare

11. Quatres Fanfares Generique

12. Choral Anthem (Now the Day is Over)