Sonata for Flute
Instrumentation: Solo and Piano Instruments: Flute, Piano
This piece was written for Dr. Catherine (Kate) Bergman from Emporia State University KS. The biggest problem I had in writing this piece was that Kate is so NICE that there seemed to be almost nothing to write about! So I decided to write a piece about being “nice” and what it is like to be really “nice”, especially for a flute player, the flute being such a “nice” instrument in the first place.
The first two movements, “A Cheerful Heart” and “Kindness” are, I think, fairly obvious, but I decided to do something different in the third movement and allow Kate (and our player) to have a little temper tantrum and lose her prevalent composure. In the third movement we hear the teacher instructing patiently and persistently yet growing, over time, increasingly impatient and frustrated. By the end she has lost much of her “niceness” and stamping her foot and has a minor fit of temper, still a large step for someone who started out where she did at the beginning of the piece.
I always enjoy, even in my most serious or traditional music, having a little sense of humor lest we all take ourselves too seriously.
Barbara York (b. 1949, Winnipeg, Canada) has been working in both Canada and the U.S. for over 45 years as a concert accompanist, choral and theatrical music director and composer. Her score and lyrics for the Canadian musical Colette won a Dora Mavor Moore Award (Canada’s version of a Tony) in 1981. She has received commissions from two Canadian symphony orchestras (Mississauga and Saskatoon), the Boise State University Symphonic Winds and the Boise State Symphony Orchestra, plus numerous private groups and soloists in both the US and Canada.
|Delivery||PDF download, Shipped (printed)|
|Instrumentation||Solo and Piano|
|Publisher||Cimarron Music Press|