Tuba Quartet (EETT)

Music for two euphoniums and two tubas. Most euphonium parts in both treble- and bass clef.
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  1. Solace and Entertainer

    Composer: Joplin, Scott Arranger: Robertson, Gail
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Ragtime

    EETT

    Medley of Solace and Entertainer

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  2. Thunder and Blazes

    Composer: Fucik, Julius Arranger: Robertson, Gail
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: March
    EETT Entrance of the Gladiators Learn More

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  3. Prelude and Fugue in c Minor

    Composer: Bach, Johan Sebastian Arranger: Cross, Steven
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Baroque
    EETT; BWV 549 Learn More

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  4. Chicago

    Composer: Fisher, Fred Arranger: Gale/Doughty
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Jazz
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  5. Way Down Yonder in New Orleans

    Composer: Creamer and Layton Arranger: Gale/Doughty
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Jazz
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  6. Beale Street Blues

    Composer: Handy Arranger: Gale/Doughty
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Jazz
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  7. Tarantella

    Composer: Mendelssohn, Felix Arranger: Yamamoto, Norihisa
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Classical
    From “Song Without Words” Op. 182, No. 3 Learn More

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  8. Wedding March

    Composer: Wagner, Richard Arranger: McIntyre, Jim
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Romantic
    from “A Midsummer Night’s Dream, Op. 61” Learn More

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  9. Nessun Dorma

    Composer: Puccini, Giaccomo Arranger: McIntyre, Jim
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Opera
    from “Turandot” Learn More

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  10. Grind

    Composer: Lester, Ian
    Instrumentation: Quartet Instruments: Euphonium, Tuba
    Genre: Contemporary
    Grind was written for the UMKC tuba and euphonium ensemble in late 2018 and is meant to represent the constant moving and turning of clock gears. The piece begins with the first tuba introducing the rhythmic foundation with the rest of the ensemble joining in to create a driving composite rhythm. Brief moments of jarring interruptions slice through the otherwise subtle material. Euphonium and tuba features follow, with the lyricism of the two instruments being showcased. A powerful triple-forte segment then transitions into a tranquil, chorale section led by the tubas. Quick fragments of the original material lead into a recapitulation of the beginning that slowly diminishes until the clock ceases to tick. Learn More

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